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Chapters (112)
  1. Cover
  2. The Other Queen
  3. CHATSWORTH HOUSE, DERBYSHIRE: BESS
  4. HAMPTON COURT: GEORGE
  5. BOLTON CASTLE: MARY
  6. CHATSWORTH: BESS
  7. HAMPTON COURT: GEORGE
  8. BOLTON CASTLE: MARY
  9. CHATSWORTH HOUSE: BESS
  10. HAMPTON COURT: GEORGE
  11. BOLTON CASTLE: MARY
  12. BOLTON CASTLE: GEORGE
  13. TUTBURY CASTLE: BESS
  14. ON THE JOURNEY FROM BOLTON CASTLE TO TUTBURY CASTLE: GEORGE
  15. ON THE JOURNEY FROM BOLTON CASTLE TO TUTBURY CASTLE: MARY
  16. TUTBURY CASTLE: BESS
  17. TUTBURY CASTLE: MARY
  18. TUTBURY CASTLE: BESS
  19. TUTBURY CASTLE: GEORGE
  20. TUTBURY CASTLE: BESS
  21. TUTBURY CASTLE: GEORGE
  22. TUTBURY CASTLE: MARY
  23. TUTBURY CASTLE: BESS
  24. TUTBURY CASTLE: MARY
  25. TUTBURY CASTLE: BESS
  26. WINGFIELD MANOR: GEORGE
  27. WINGFIELD MANOR: BESS
  28. WINGFIELD MANOR: MARY
  29. WINGFIELD MANOR: BESS
  30. WINGFIELD MANOR: MARY
  31. WINGFIELD MANOR: BESS
  32. WINGFIELD MANOR: MARY
  33. WINGFIELD MANOR: GEORGE
  34. WINGFIELD MANOR: BESS
  35. WINGFIELD MANOR: GEORGE
  36. TUTBURY CASTLE: MARY
  37. TUTBURY CASTLE: BESS
  38. TUTBURY CASTLE: GEORGE
  39. TUTBURY CASTLE: MARY
  40. TUTBURY CASTLE: BESS
  41. TUTBURY CASTLE: MARY
  42. TUTBURY CASTLE: GEORGE
  43. TUTBURY CASTLE: BESS
  44. TUTBURY CASTLE: MARY
  45. ON THE ROAD FROM TUTBURY CASTLE: BESS
  46. ON THE ROAD FROM TUTBURY CASTLE: MARY
  47. ASHBY-DE-LA-ZOUCHE CASTLE: BESS
  48. ASHBY-DE-LA-ZOUCHE CASTLE: GEORGE
  49. COVENTRY: MARY
  50. COVENTRY: BESS
  51. COVENTRY: GEORGE
  52. CHRISTMAS EVE, COVENTRY: MARY
  53. COVENTRY: BESS
  54. COVENTRY: GEORGE
  55. COVENTRY: MARY
  56. COVENTRY: GEORGE
  57. COVENTRY: MARY
  58. COVENTRY: BESS
  59. COVENTRY: GEORGE
  60. COVENTRY: BESS
  61. TUTBURY CASTLE: GEORGE
  62. TUTBURY CASTLE: MARY
  63. TUTBURY CASTLE: BESS
  64. TUTBURY CASTLE: MARY
  65. TUTBURY CASTLE: GEORGE
  66. TUTBURY CASTLE: BESS
  67. TUTBURY CASTLE: MARY
  68. WINDSOR CASTLE: GEORGE
  69. TUTBURY CASTLE: BESS
  70. TUTBURY CASTLE: MARY
  71. TUTBURY CASTLE: GEORGE
  72. TUTBURY CASTLE: BESS
  73. TUTBURY CASTLE: MARY
  74. TUTBURY CASTLE: GEORGE
  75. TUTBURY CASTLE: MARY
  76. CHATSWORTH: BESS
  77. ON THE ROAD TO CHATSWORTH: MARY
  78. CHATSWORTH: GEORGE
  79. CHATSWORTH: BESS
  80. CHATSWORTH: MARY
  81. CHATSWORTH: GEORGE
  82. WINGFIELD MANOR: MARY
  83. CHATSWORTH: BESS
  84. CHATSWORTH: MARY
  85. CHATSWORTH: BESS
  86. CHATSWORTH: MARY
  87. SHEFFIELD CASTLE: GEORGE
  88. SHEFFIELD CASTLE: BESS
  89. SHEFFIELD CASTLE: MARY
  90. SHEFFIELD CASTLE: GEORGE
  91. ON THE ROAD FROM SHEFFIELD CASTLE TO TUTBURY: BESS
  92. TUTBURY CASTLE: GEORGE
  93. TUTBURY CASTLE: MARY
  94. SHEFFIELD CASTLE: BESS
  95. SHEFFIELD CASTLE: GEORGE
  96. SHEFFIELD CASTLE: BESS
  97. SHEFFIELD CASTLE: MARY
  98. SHEFFIELD CASTLE: GEORGE
  99. CHATSWORTH: MARY
  100. COLD HARBOR HOUSE, LONDON: GEORGE
  101. SHEFFIELD CASTLE: BESS
  102. SHEFFIELD CASTLE: MARY
  103. WESTMINSTER HALL, LONDON: GEORGE
  104. SHEFFIELD CASTLE: BESS
  105. SHEFFIELD CASTLE: MARY
  106. LONDON: GEORGE
  107. SHEFFIELD CASTLE: MARY
  108. CHATSWORTH: BESS
  109. JUNE 1ST, 1572, LONDON: GEORGE
  110. HARDWICK HALL: BESS
  111. AUTHOR’S NOTE
  112. BIBLIOGRAPHY

It is a great thing, I think, to have an artist such as this man in your train. She takes him quite for granted, as if it were natural that a man of great talent, a truly fine artist, should do nothing but sketch designs for her to sew. I think of King Henry using Hans Holbein to draw designs for his masques, which would be broken up the day after the dance was done, and employing great musicians to write songs for his chamber or the way that the poets spend their talents writing plays for Queen Elizabeth. Truly, these are the luxuries of kings. Of all the riches that have surrounded this spoiled young woman from childhood, this employment of such a gifted man gives me the best sense of what her life has been like until now. Everything she has had around her has been supreme, the best of the very best; everyone who works for her, or follows in her train, is the most talented or charming or skilled. Even the design for her embroidery must be a work of art before she will touch it.

Together we work on a new cloth of estate for her. It will hang over her chair to proclaim her royalty. Her tapissier has already started stitching the dark red background. In gold curly script the letters will say. “En Ma Fin Est Ma Commencement.”

“What does that mean?” I ask.

She is seated on the best chair, between the window and the fire. I am on a lower chair, though this is my own room in my own house, and our ladies-in-waiting are on stools and benches near the windows for the light.

“It was my mother’s motto,” she says. “It means, ‘In my end is my beginning.’ I have been thinking of it in these troubled days and decided to take it as my own. When I lost my husband and was no longer Queen of France, then I began my life as Queen of Scotland. When I fled from Scotland, my new life in England begins. Soon another phase of my life will start. I will return to my throne; perhaps I shall remarry. In every end is a new beginning. I am like a queen of the sea, I am a queen of tides. I ebb, but I also flow. One day I shall cease to be queen on earth of any kingdom and be a queen in heaven over all kingdoms.”

I scowl at my women, whose heads bob up like rabbits at this unseemly and Papistical assurance.

“Should you like to do the gold lettering?” she offers. “The silk is such a pleasure to work with.”

Despite myself, my hands go out to touch it. The silk is very fine, I have never worked with anything so beautiful, and I have loved needlework with a passion for all my life. “How is it so smooth?”