Chapters (112)
- Cover
- The Other Queen
- CHATSWORTH HOUSE, DERBYSHIRE: BESS
- HAMPTON COURT: GEORGE
- BOLTON CASTLE: MARY
- CHATSWORTH: BESS
- HAMPTON COURT: GEORGE
- BOLTON CASTLE: MARY
- CHATSWORTH HOUSE: BESS
- HAMPTON COURT: GEORGE
- BOLTON CASTLE: MARY
- BOLTON CASTLE: GEORGE
- TUTBURY CASTLE: BESS
- ON THE JOURNEY FROM BOLTON CASTLE TO TUTBURY CASTLE: GEORGE
- ON THE JOURNEY FROM BOLTON CASTLE TO TUTBURY CASTLE: MARY
- TUTBURY CASTLE: BESS
- TUTBURY CASTLE: MARY
- TUTBURY CASTLE: BESS
- TUTBURY CASTLE: GEORGE
- TUTBURY CASTLE: BESS
- TUTBURY CASTLE: GEORGE
- TUTBURY CASTLE: MARY
- TUTBURY CASTLE: BESS
- TUTBURY CASTLE: MARY
- TUTBURY CASTLE: BESS
- WINGFIELD MANOR: GEORGE
- WINGFIELD MANOR: BESS
- WINGFIELD MANOR: MARY
- WINGFIELD MANOR: BESS
- WINGFIELD MANOR: MARY
- WINGFIELD MANOR: BESS
- WINGFIELD MANOR: MARY
- WINGFIELD MANOR: GEORGE
- WINGFIELD MANOR: BESS
- WINGFIELD MANOR: GEORGE
- TUTBURY CASTLE: MARY
- TUTBURY CASTLE: BESS
- TUTBURY CASTLE: GEORGE
- TUTBURY CASTLE: MARY
- TUTBURY CASTLE: BESS
- TUTBURY CASTLE: MARY
- TUTBURY CASTLE: GEORGE
- TUTBURY CASTLE: BESS
- TUTBURY CASTLE: MARY
- ON THE ROAD FROM TUTBURY CASTLE: BESS
- ON THE ROAD FROM TUTBURY CASTLE: MARY
- ASHBY-DE-LA-ZOUCHE CASTLE: BESS
- ASHBY-DE-LA-ZOUCHE CASTLE: GEORGE
- COVENTRY: MARY
- COVENTRY: BESS
- COVENTRY: GEORGE
- CHRISTMAS EVE, COVENTRY: MARY
- COVENTRY: BESS
- COVENTRY: GEORGE
- COVENTRY: MARY
- COVENTRY: GEORGE
- COVENTRY: MARY
- COVENTRY: BESS
- COVENTRY: GEORGE
- COVENTRY: BESS
- TUTBURY CASTLE: GEORGE
- TUTBURY CASTLE: MARY
- TUTBURY CASTLE: BESS
- TUTBURY CASTLE: MARY
- TUTBURY CASTLE: GEORGE
- TUTBURY CASTLE: BESS
- TUTBURY CASTLE: MARY
- WINDSOR CASTLE: GEORGE
- TUTBURY CASTLE: BESS
- TUTBURY CASTLE: MARY
- TUTBURY CASTLE: GEORGE
- TUTBURY CASTLE: BESS
- TUTBURY CASTLE: MARY
- TUTBURY CASTLE: GEORGE
- TUTBURY CASTLE: MARY
- CHATSWORTH: BESS
- ON THE ROAD TO CHATSWORTH: MARY
- CHATSWORTH: GEORGE
- CHATSWORTH: BESS
- CHATSWORTH: MARY
- CHATSWORTH: GEORGE
- WINGFIELD MANOR: MARY
- CHATSWORTH: BESS
- CHATSWORTH: MARY
- CHATSWORTH: BESS
- CHATSWORTH: MARY
- SHEFFIELD CASTLE: GEORGE
- SHEFFIELD CASTLE: BESS
- SHEFFIELD CASTLE: MARY
- SHEFFIELD CASTLE: GEORGE
- ON THE ROAD FROM SHEFFIELD CASTLE TO TUTBURY: BESS
- TUTBURY CASTLE: GEORGE
- TUTBURY CASTLE: MARY
- SHEFFIELD CASTLE: BESS
- SHEFFIELD CASTLE: GEORGE
- SHEFFIELD CASTLE: BESS
- SHEFFIELD CASTLE: MARY
- SHEFFIELD CASTLE: GEORGE
- CHATSWORTH: MARY
- COLD HARBOR HOUSE, LONDON: GEORGE
- SHEFFIELD CASTLE: BESS
- SHEFFIELD CASTLE: MARY
- WESTMINSTER HALL, LONDON: GEORGE
- SHEFFIELD CASTLE: BESS
- SHEFFIELD CASTLE: MARY
- LONDON: GEORGE
- SHEFFIELD CASTLE: MARY
- CHATSWORTH: BESS
- JUNE 1ST, 1572, LONDON: GEORGE
- HARDWICK HALL: BESS
- AUTHOR’S NOTE
- BIBLIOGRAPHY
It is a great thing, I think, to have an artist such as this man in your train. She takes him quite for granted, as if it were natural that a man of great talent, a truly fine artist, should do nothing but sketch designs for her to sew. I think of King Henry using Hans Holbein to draw designs for his masques, which would be broken up the day after the dance was done, and employing great musicians to write songs for his chamber or the way that the poets spend their talents writing plays for Queen Elizabeth. Truly, these are the luxuries of kings. Of all the riches that have surrounded this spoiled young woman from childhood, this employment of such a gifted man gives me the best sense of what her life has been like until now. Everything she has had around her has been supreme, the best of the very best; everyone who works for her, or follows in her train, is the most talented or charming or skilled. Even the design for her embroidery must be a work of art before she will touch it.
Together we work on a new cloth of estate for her. It will hang over her chair to proclaim her royalty. Her tapissier has already started stitching the dark red background. In gold curly script the letters will say. “En Ma Fin Est Ma Commencement.”
“What does that mean?” I ask.
She is seated on the best chair, between the window and the fire. I am on a lower chair, though this is my own room in my own house, and our ladies-in-waiting are on stools and benches near the windows for the light.
“It was my mother’s motto,” she says. “It means, ‘In my end is my beginning.’ I have been thinking of it in these troubled days and decided to take it as my own. When I lost my husband and was no longer Queen of France, then I began my life as Queen of Scotland. When I fled from Scotland, my new life in England begins. Soon another phase of my life will start. I will return to my throne; perhaps I shall remarry. In every end is a new beginning. I am like a queen of the sea, I am a queen of tides. I ebb, but I also flow. One day I shall cease to be queen on earth of any kingdom and be a queen in heaven over all kingdoms.”
I scowl at my women, whose heads bob up like rabbits at this unseemly and Papistical assurance.
“Should you like to do the gold lettering?” she offers. “The silk is such a pleasure to work with.”
Despite myself, my hands go out to touch it. The silk is very fine, I have never worked with anything so beautiful, and I have loved needlework with a passion for all my life. “How is it so smooth?”