The doorway faces west, so that when I enter, the great doors thrown open behind me, the sun comes in with me, and he is dazzled by the light. I am wearing my signature black and white, the white veil that suits my face so well, sitting square on my forehead, just a few tendrils of hair curling around my face. My gown is cut tight, so tight I can hardly breathe—these months in prison have made me fatter than I like—but at least I have the exaggerated curves of a fertile young woman; I am not a spinster stick like the queen he serves.

I wear a ruby crucifix at my throat: it demonstrates the pure whiteness of my skin and will please the Bishop of Ross. My slippers are ruby red too, as is the discreet half-hidden petticoat that Cecil will see as I lift my gown over the step and show the prettiness of my ankles and my embroidered stockings. The mixture of devotion with the ruby red cross and provocation with the ruby red heels and scarlet petticoat should be enough to muddle most men into a slight fever of lust and respect.

Cecil, Mildmay, Ross, and Shrewsbury all rise and bow low as I enter. I greet Shrewsbury as my host first—it gives me such confidence to feel his hand tremble at my touch—and then I turn to Cecil.

He is weary—that’s the first thing that strikes me about him, weary and clever. His dark eyes are set deep in a lined face; he looks like a man who keeps his own counsel. And he does not look impressed by either the ruby cross or the pretty shoes. I smile at him but he does not respond. I see him taking me in, studying me like a secret message, and I see the rise of a little color to his sallow cheeks.

“I am so pleased to meet you at last,” I say in French, my voice very low and sweet. “I have heard so much about the good counsel that you give my cousin. I have wished for so long that I had a wise advisor for myself.”

“I do my duty” is all he says, coldly.

I move on to Sir Walter Mildmay and then I greet my bishop with affection. Sometime in this visit we will seize a moment for him to tell me, face to face, the progress of Ridolfi’s plot, “the Great Enterprise of England,” and the news of my betrothed and my supporters. But in the meantime I have to pretend that we write nothing, that we plan nothing, that great deeds do not shimmer between us like exciting ghosts. I greet him like a queen quietly pleased to see her ambassador after a long silence.