Contents ( 35)
- THE ORIGINAL SINNERS: ABSOLUTION
- THE CASE OF THE ACTING ACTRESS
- THE CASE OF THE DIFFIDENT DOM
- THE CASE OF THE RELUCTANT ROCK STAR
- THE CASE OF THE SECRET SWITCH
- THE CASE OF THE BROKENHEARTED BARTENDER
- THE LAST GOOD KNIGHT PART I: SCARS AND STRIPES
- THE LAST GOOD KNIGHT PART II: SORE SPOTS
- THE LAST GOOD KNIGHT PART III: THE GAMES DESTINY PLAYS
- THE LAST GOOD KNIGHT PART IV: FIT TO BE TIED
- THE LAST GOOD KNIGHT PART V: THE LAST GOOD NIGHT
- THE GIFT
- Tiffany Reisz
- THE CASE OF THE ACTING ACTRESS
- Tiffany Reisz
- THE CASE OF THE DIFFIDENT DOM
- Tiffany Reisz
- THE CASE OF THE RELUCTANT ROCK STAR
- Tiffany Reisz
- THE CASE OF THE SECRET SWITCH
- Tiffany Reisz
- THE CASE OF THE BROKENHEARTED BARTENDER
- Tiffany Reisz
- THE LAST GOOD KNIGHT PART I: SCARS AND STRIPES
- Tiffany Reisz
- THE LAST GOOD KNIGHT PART II: SORE SPOTS
- Tiffany Reisz
- THE LAST GOOD KNIGHT PART III: THE GAMES DESTINY PLAYS
- Tiffany Reisz
- THE LAST GOOD KNIGHT PART IV: FIT TO BE TIED
- Tiffany Reisz
- THE LAST GOOD KNIGHT PART V: THE LAST GOOD NIGHT
- Tiffany Reisz
- THE GIFT
- Tiffany Reisz
She knew what love was. And it was expecting her at nine.
* * * * *
Follow Eleanor as she struggles with the illicit love of her owner in the highly acclaimed first book in The Original Sinners series from Tiffany Reisz, The Siren. Read the first chapter now!
1
There was no such thing as London fog—never had been. The London Fog of legend was only that. In reality London fog was London smog, and at the height of the Industrial Revolution it had killed thousands, choking the city with its poisonous hands. Zach Easton knew that in the offices of Royal House Publishing, he was known as the London Fog, the disparaging nickname coined by a fellow editor who disapproved of Zach’s dour demeanor. Zach had no love of his nickname or the editor who’d coined it. But today he was eager to earn his epithet.
As he knew he would, Zach found John-Paul Bonner, the chief managing editor of Royal House Publishing, still hard at work even after hours. J.P. sat on the floor of his office, piles of manuscripts stacked about him like a paper Stonehenge in miniature.
Zach stopped in J.P.’s doorway and leaned against the frame. He stared his chief editor down and did not speak. He didn’t have to tell J.P. why he was here. They both knew.
“Death—she comes to me on an Easton fog,” J.P. said from the floor as he sorted through another stack of books. “A poetic enough way to die. You are here to kill me, I presume.”
At sixty-four and with his gray beard and spectacles, J.P. was literature personified. Usually Zach enjoyed playing word games with him, but he was in no mood for repartee today.
“Yes.”
“‘Yes’?” J.P. repeated. “Just ‘yes’? Well, brevity is the soul of wit after all. Help an old man off the floor, will you, Easton? If I’m going to die, might as well die on my feet.”
Sighing, Zach stepped into the office, reached down and helped J.P. stand. J.P. patted Zach gratefully on the shoulder and collapsed into his chair behind his desk.
“I’m a dead man anyway. Can’t find that damn Hamlet galley for John Warren. Should have had it in the mail yesterday. But happiness is good health and a bad memory they say, and I am a happy, happy man.”
Zach studied J.P. for a moment and silently cursed him for being so endearing. His affection for his boss made this conversation far less pleasant. Zach walked over to J.P.’s bookshelves and ran his hand along the top of the case. He knew J.P.’s habit of stashing important papers where even he couldn’t reach them. Zach found a manuscript and pulled it down. He threw it on J.P.’s desk and watched it kick up a small cloud of dust.
“Bless you,” J.P. said, coughing as he put his hand over his heart. “You have saved my life.”
“Now I get to be the one who kills you.”