Back The Orange Fish
Chapters (15)
  1. Title Page
  2. Dedication
  3. Copyright Page
  4. The Orange Fish
  5. Chemistry
  6. Hazel
  7. Today Is the Day
  8. Hinterland
  9. Block Out
  10. Collision
  11. Good Manners
  12. Times of Sickness and Health
  13. Family Secrets
  14. Fuel for the Fire
  15. Milk Bread Beer Ice

Divorce, you think. (This is after class, across the street, drinking beer at Le Piston.) Or widowed. Too young to be a widow, Lonnie H. categorically says. Deserted maybe. Who says that? One of us-Rhonda? Deserted for a younger, more beautiful woman? This seems possible and fulfills an image of drama and pain we are prepared to embrace; we begin to believe it; soon we believe it unconditionally.

We never talk politics after class, not in this privileged love-drugged circle-we’ve had enough of politics, more than enough. Our talk is first about Madam Bessant, our tender concern for her circumstances, her children, her baby sitter just fourteen years old, her absent husband, her fretful attention to the hour, her sense of having always to hurry away, her coat not quite buttoned or her gloves pulled on. We also discuss endlessly, without a touch of darkness, the various ways each of us has found to circumvent our powerlessness. How to get cheap concert tickets, for instance. How to get on the pogey. Ways to ride the Métro free. How to break a lease, how to badger a landlady into repairing the water heater. Where to go for half-priced baked goods. Cecile Landreau is the one who tells us the name of the baked goods outlet. She has a large, clean ice-maiden face and comes from a little town out west, in Alberta, a town with a rollicking comical name. She gets a laugh every time she mentions it, and she mentions it often. A lively and obstinate girl-you remember-and highly adaptive. She moved to Montreal just one year before and already she knows where to get things cheap: discount shoes, winter coats direct from the manufacturer, art supplies marked down. She never pays full price. (“You think I’m nuts?”) Her alto recorder, a soft pine-colored Yamaha, she bought in a pawn shop for ten dollars and keeps it in a pocketed leather case that she made herself in a leathercraft course, also offered at the Y.

The poverty we insinuate is part real and part desire. We see ourselves as accidental survivors crowded to the shores of a cynical economy. By evasion, by mockery, by a mutual nibbling away at substance, we manage to achieve a dry state of asceticism that feeds on itself. We live on air and water or nothing at all; you would think from the misty way we talk we had never heard of parents or cars or real estate or marital entanglements. The jobs we allude to are seasonal and casual, faintly amusing, mildly degrading. So are our living arrangements and our live-in companions. For the sake of each other, out of our own brimming imaginations, we impoverish ourselves, but this is not a burdensome poverty; we exalt in it, and with our empty pockets and eager charity, we’re prepared to settle down after our recorder lesson at a corner table in Le Piston and nurse a single beer until midnight.