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Contents ( 46)
  1. THE NECROMANCERS
  2. * * *
  3. ROBERT HUGH BENSON
  4. *
  5. Contents
  6. *
  7. *
  8. Chapter I
  9. *
  10. Chapter II
  11. *
  12. Chapter III
  13. *
  14. Chapter IV
  15. *
  16. Chapter V
  17. *
  18. Chapter VI
  19. *
  20. Chapter VII
  21. *
  22. Chapter VIII
  23. *
  24. Chapter IX
  25. *
  26. Chapter X
  27. *
  28. Chapter XI
  29. *
  30. Chapter XII
  31. *
  32. Chapter XIII
  33. *
  34. Chapter XIV
  35. *
  36. Chapter XV
  37. *
  38. Chapter XVI
  39. *
  40. Chapter XVII
  41. *
  42. Chapter XVIII
  43. *
  44. Epilogue
  45. *
  46. * * *

*

She lay awake a long time that night.

Her room was a little square one on the top of the stairs, above the smoking-room where she had that odd scene with Laurie a month or so before, and looking out upon the yew walk that led to the orchard. It was a cheerful little place enough, papered in brown, hung all over with water colors, with her bed in one corner; and it looked a reassuring familiar kind of place in the firelight, as she lay open-eyed and thinking.

It was not that she was at all frightened; it was no more than a little natural anxiety; and half a dozen times in the hour or two that she lay thinking, she turned resolutely over in bed, dismissed the little pictures that her mind formed in spite of herself, and began to think of pleasant, sane subjects.

But the images recurred. They were no more than little vignettes—Laurie talking to a severe-looking tall man with a sardonic smile; Laurie having tea with Mrs. Stapleton; Laurie in an empty room, looking at a closed door....

It was this last picture that recurred three or four times at the very instant that the girl was drowsing off into sleep; and it had therefore that particular vividness that characterizes the thoughts when the conscious attention is dormant. It had too a strangely perturbing effect upon her; and she could not imagine why.

After the third return of it her sense of humor came to the rescue: it was too ridiculous, she said, to be alarmed at an empty room and Laurie's back. Once more she turned on her side, away from the firelight, and resolved, if it recurred again, to examine the details closely.

Again the moments passed: thought followed thought, in those quiet waves that lull the mind towards sleep; finally once more the picture was there, clear and distinct.

Yes; she would look at it this time.

It was a bare room, wainscoted round the walls a few inches up, papered beyond in some common palish pattern. Laurie stood in the center of the uncarpeted boards, with his back turned to her, looking, it seemed, with an intense expectation at the very dull door in the wall opposite him. He was in his evening dress, she saw, knee-breeches and buckles all complete; and his hands were clenched, as they hung held out a little from his sides, as he himself, crouching a little, stared at the door.

She, too, looked at the door, at its conventional panels and its brass handle; and it appeared to her as if both he and she were expectant of some visitor. The door would open presently, she perceived; and the reason why Laurie was so intent upon the entrance, was that he, no more than she, had any idea as to the character of the person who was to come in. She became quite interested as she watched—it was a method she followed sometimes when wooing sleep—and she began, in her fancy, to go past Laurie as if to open the door. But as she passed him she was aware that he put out a hand to check her, as if to hold her back from some danger; and she stopped, hesitating, still looking, not at Laurie, but at the door.