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Contents ( 46)
  1. THE NECROMANCERS
  2. * * *
  3. ROBERT HUGH BENSON
  4. *
  5. Contents
  6. *
  7. *
  8. Chapter I
  9. *
  10. Chapter II
  11. *
  12. Chapter III
  13. *
  14. Chapter IV
  15. *
  16. Chapter V
  17. *
  18. Chapter VI
  19. *
  20. Chapter VII
  21. *
  22. Chapter VIII
  23. *
  24. Chapter IX
  25. *
  26. Chapter X
  27. *
  28. Chapter XI
  29. *
  30. Chapter XII
  31. *
  32. Chapter XIII
  33. *
  34. Chapter XIV
  35. *
  36. Chapter XV
  37. *
  38. Chapter XVI
  39. *
  40. Chapter XVII
  41. *
  42. Chapter XVIII
  43. *
  44. Epilogue
  45. *
  46. * * *

He paused, looking sharply at the elder man, and away again.

"Yes?"

Laurie began to finger a pencil that lay on the chimney-shelf.

"You see what I mean, don't you?" he said. "I'm not disputing—er—your point of view, nor your sincerity. But I do wish you would give me another proof or two."

"You haven't had enough?"

"Oh! I suppose I have—if I were reasonable. But, you know, it all seems to me as if you suddenly demonstrated to me that twice two made five."

"But then, surely no proof—"

"Yes; I know. I quite see that. Yet I want one—something quite absolutely ordinary. If you can do all these things—spirits and all the rest—can't you do something ever so much simpler, that's beyond mistake?"

"Oh, I daresay. But wouldn't you ask yet another after that?"

"I don't know."

"Or wouldn't you think you'd been hypnotized?"

Laurie shook his head.

"I'm not a fool," he said.

"Then give me that pencil," said the medium, suddenly extending his hand.

Laurie stared a moment. Then he handed over the pencil.

On the little table by the arm-chair, a couple of feet from Laurie, stood the whisky apparatus and a box of cigarettes. These the medium, without moving from his chair, lifted off and set on the floor beside him, leaving the woven-grass surface of the table entirely bare. He then laid the pencil gently in the center—all without a word. Laurie watched him carefully.

"Now kindly do not speak one word or make one movement," said the man peremptorily. "Wait! You're perfectly sure you're not hypnotized, or any other nonsense?"

"Certainly not."

"Just go round the room, look out of the window, poke the fire—anything you like."

"I'm satisfied," said the boy.

"Very good. Then kindly watch that pencil."

The medium leaned a little forward in his chair, bending his eyes steadily upon the little wooden cylinder lying, like any other pencil, on the top of the table. Laurie glanced once at him, then back again. There it lay, common and ordinary.

For at least a minute nothing happened at all, except that from the intentness of the elder man there seemed once more to radiate out that curious air of silence that Laurie was beginning to know so well—that silence that seemed impenetrable to the common sounds of the world and to exist altogether independent of them. Once and again he glanced round at the ordinary-looking room, the curtained windows, the dull furniture; and the second time he looked back at the pencil he was almost certain that some movement had just taken place with it. He resolutely fixed his eyes upon it, bending every faculty he possessed into one tense attitude of attention. And a moment later he could not resist a sudden movement and a swift indrawing of breath; for there, before his very eyes, the pencil tilted, very hesitatingly and quiveringly, as if pulled by a spider's thread. He heard, too, the tiny tap of its fall.

He glanced at the medium, who jerked his head impatiently, as if for silence. Then once more the silence came down.