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Contents (46)
  1. THE NECROMANCERS
  2. * * *
  3. ROBERT HUGH BENSON
  4. *
  5. Contents
  6. *
  7. *
  8. Chapter I
  9. *
  10. Chapter II
  11. *
  12. Chapter III
  13. *
  14. Chapter IV
  15. *
  16. Chapter V
  17. *
  18. Chapter VI
  19. *
  20. Chapter VII
  21. *
  22. Chapter VIII
  23. *
  24. Chapter IX
  25. *
  26. Chapter X
  27. *
  28. Chapter XI
  29. *
  30. Chapter XII
  31. *
  32. Chapter XIII
  33. *
  34. Chapter XIV
  35. *
  36. Chapter XV
  37. *
  38. Chapter XVI
  39. *
  40. Chapter XVII
  41. *
  42. Chapter XVIII
  43. *
  44. Epilogue
  45. *
  46. * * *

There followed a long silence.

It must have been about ten minutes later that she became aware of the next phenomenon; and her attention had been called to it by a sudden noiseless uplifting of the profile on her left. She turned her face to the cabinet and looked; and there, perfectly discernible, was some movement going on between the curtains. For the moment she could see the medium clearly, his arms folded, indicated by the white lines of his cuffs across his breast, his head sunk forward in deep sleep; and at the next instant the curtains flapped two or three times, as if jerked from within, and finally rested completely closed.

She glanced quickly at the boy on her left, and in the diffused light from the other room could see him distinctly, his eyes open and watching, his lips compressed as if in some tense effort of self-control.

When she looked at the cabinet again she could see that some movement had begun again behind the curtains, for these swayed and jerked convulsively, as if some person with but little room was moving there. And she could hear now, as the gusts outside lulled for a moment, the steady rather stertorous breathing of the medium. Then once again the wind gathered strength outside; the rain tore at the glass like a streaming handful of tiny pebbles, and the great curtains at her side lifted and sighed in the draught through the shutters.

When it quieted again the breathing had become a measured moaning, as that which a dreaming dog emits at the end of each expiration; and she herself drew a long trembling breath, overwhelmed by the sense of some struggle in the room such as she had not experienced before.

It was impossible for her to express this even to herself; yet the perception was clear—as clear as some presentment of the senses. She knew during those moments, as she watched the swaying curtains of the cabinet in the shaded light that fell upon them, and heard now and again that low moan from behind them, that some kind of stress lay upon something that was new to her in this connection. For the time she forgot her undertone of anxiety as to this boy at her side, and a curious terrified excitement took its place. Once, even then, she glanced at him again, and saw the motionless profile watching, always watching....

Then in an instant the climax came, and this is what she saw.

*

The commotion of the curtains ceased suddenly, and they hung in straight folds from roof to floor of the little cabinet. Then they gently parted—she saw the long fingers that laid hold of them—and the form of a person came out, descended the single step, and stood on the floor before her eyes, in the plain candlelight, not four steps away.

It was the figure of a young girl, perfectly formed in all its parts, swathed in some light stuff resembling muslin that fell almost to the feet and shrouded the upper part of the head. Her hands were clasped across her breast, her bare feet were visible against the dark floor, and her features were unmistakably clear. There was a certain beauty in the face—in the young lips, the open eyes, and the dark lines of the brows over them; and the complexion was waxen, clear as of a blonde. But, as the observer had noticed before on the three or four occasions on which she had seen these phenomena, there was a strange mask-like set of the features, as if the life that lay behind them had not perfectly saturated that which expressed it. It was something utterly different from the face of a dead person, yet also not completely alive, though the eyes turned a little in their sockets, and the young down-curved lips smiled. Behind her, plain between the tossed-back curtains, was the figure of the medium sunk in sleep.