Chapters (33)
- Also by Sophie Hannah
- About the Author
- Title Page
- Copyright
- Dedication
- Origami by Kim Tribbeck
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Acknowledgements
Enclosed is a drawing of the woman I’m looking for, penned by a talented police artist from the Culver Valley, though not an official police sketch artist of the kind that drew me.
Let me explain: I went to Spilling police station in the hope of persuading someone there to pass on my phone number and a message to this woman, since I knew they’d have her contact details. Sadly for me, they weren’t inclined to help me (well, they said they weren’t allowed to, to be fair) but then the strangest thing happened. It would have been enough to make me start believing in fate if I weren’t far too sensible.
As I walked out of the police station, there was a man – a PC in uniform – walking ahead of me, talking on his mobile phone very loudly and confidently. He seemed to be in the middle of a long-distance job interview with a graphic design company. As I listened to him going into great detail about what a design whizz he was, and how brilliant he was at drawing, I had an idea which I could see at once was either totally brilliant or a hideous embarrassment that I’d regret for the rest of my life.
I waited for the policeman to finish his phone call, then approached him and asked him if he’d be willing to do a one-off piece of freelance work for me. It involved drawing, I told him. I should stress that I wouldn’t usually approach an officer of the law in this way – normally I’d assume they were too busy catching criminals – but this man did not (I mean, really did not at all) seem too busy with policing. And as it turned out, he was happy to help me – and I was delighted to discover that he’s every bit as good an artist as he’d boasted he was to the graphic design firm, as you can see from the attached sketch. I felt a bit sorry for him when we said our goodbyes and he asked me rather desperately if I thought I might have some more freelance assignments for him in the future.
But back to the main point of this communication: do you know the woman in the attached sketch, by any chance? If you do, please get in touch. If you could bring her to a restaurant of her choice so that I can buy her dinner, that would be even better. Just don’t forget to tell me which restaurant, when, etc.
Thanks in advance,
Niall Greeves
So that’s what he was doing at the police station the other day. It was nothing to do with Billy Dead Mates. He was there because he wanted to get in touch with me.
In the sketch that he’s scanned into the email, I look wary, unapproachable, lonely. It’s a better likeness than all my official publicity photographs.