Chapters (48)
- Title Page
- Copyright Page
- Dedication
- THE RETURN
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- PERSISTENT ENERGY
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- THE STAR THAT KILLS
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- INNER VILENESS
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- WHITE’S ROW, EAST LONDON NOVEMBER 9 2:45 A.M.
- TERMINUS TERIMNUS
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Acknowledgements
THE BBC IS USED TO DEALING WITH FREAKS, CRANKS, and psychos. Bomb threats are not uncommon. Nor were threats to James Goode, host of Goode Evening, the nightly news roundup and opinion show. A major newspaper’s readers’ poll had recently voted James the fifteenth-most famous person in Britain, thirdmost annoying, and number-one “celebrity you would least like to date.” It was estimated that 42 percent of his audience tuned in just to hate him, a behavior he actively encouraged.
So when the associate producer of Goode Evening returned from lunch to find the brown-paperwrapped parcel on his desk, he was puzzled. No one in the office claimed any knowledge of having accepted its delivery. The mailroom had no record of it. Someone had been in the office at all times, and yet no one had seen a person walk in and deliver a box. It simply appeared, with the words “Mr James Goode, BBC Centre” written on it in a harsh black scrawl. It had no stamps, no delivery stickers, no bar codes or tracking numbers. It was utterly anonymous.
Which meant that this was a serious breach of security. The producer was already reaching for the phone when James himself came strutting into the office.
“We have a problem,” the producer said. “Breach of security. I think we have to get everyone out.”
“What?” James Goode said the word in the same way normal people usually said things like “you burned my house down?” But the producer was used to this.
“This box,” he said. “No one saw it come in. No postage, no delivery markings, didn’t come through the mailroom. We have to—”
“Don’t be stupid,” James said, taking the box.
“James—”
“Be quiet.”
“James, really—”
But James was already attacking the packaging tape with a pair of scissors. The producer set down the phone softly, closed his eyes, and quietly prayed that he wouldn’t explode in the next few seconds.
“I don’t want people calling health and safety for every little thing,” James went on. “That’s precisely the kind of behavior I . . .”
He silenced himself, which was not normal James Goode behavior. The producer opened his eyes to find James reading a piece of yellow paper.
“James?”
James hissed him silent as he reached into the box gingerly to move aside some wrapping. He started visibly and pushed down the flaps of the box, hiding the contents.
“Listen to me,” James said intently. “Get news on the phone. Tell them to get a camera up here now and that I’m going to need to be on the air in fifteen minutes.”
“What? What are you doing?”
“I have the next piece of the Ripper story. And tell them to be quiet about it. Lock the door. No one else comes into this office.”