Chapters (48)
- Title Page
- Copyright Page
- Dedication
- THE RETURN
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- PERSISTENT ENERGY
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- THE STAR THAT KILLS
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- INNER VILENESS
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- WHITE’S ROW, EAST LONDON NOVEMBER 9 2:45 A.M.
- TERMINUS TERIMNUS
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Acknowledgements
And with that, art history began. Mark was a full-time conservationist at the National Gallery, but he was coming in to teach us about art every Saturday. We were, he informed us, going to begin with paintings from the Dutch Golden Age. He distributed some textbooks, which weighed about as much as a human head (a guesstimate on my part, obviously, but once the Ripper was mentioned, body parts tended to come to mind).
It became immediately clear that even though this was a Saturday class under the general label of “art and enrichment,” this was not just a way of killing three hours that might otherwise have been spent sleeping or eating cereal. This was a class, just like any other, and many people in it (Mark checked) were planning on taking an A level in art history. More competition.
On the positive side, Mark informed us that on several Saturdays we would be going to the National Gallery to see the paintings up close. But today was not one of those days. Today we were going to look at slides. Three hours of slides isn’t as horrible as it sounds, not when you have a reasonably interesting person who really likes what he’s talking about explaining them. And I like art.
Jerome, I noticed, was a careful note taker. He sat far back in his chair, his arm extended, writing quickly in a loose, relaxed hand, his eyes flicking between the slide and the page. I started to copy his style. He took about twenty notes on each painting, just a few words each. Every once in a while, his elbow would make contact with my arm, and he’d glance over. When class was over, we fell in step beside each other as we walked to the refectory. Jerome picked up right where he left off.
“The Flowers and Archers isn’t far from here,” he said. “We should go.”
“We . . . should?”
Again, I knew many students at Wexford could legally drink, because you only had to be eighteen. I knew that pubs would be a part of life here somehow. But I hadn’t expected someone, especially a prefect, to invite me to one. Also, was he asking me out? Did you ask people to crime scenes on dates? My pulse did a little leap, but it was quickly regulated by his follow-up.
“You, me, Jazza,” he said. “You should get Jazza to come, otherwise she’ll start stressing from day one. You’re her keeper now.”
“Oh,” I said, trying not to sound disappointed. “Right.”
“I have desk duty at the library until dinner, but we could go right after. What do you think?”
“Sure,” I said. “I . . . I mean, I don’t have plans.”
He put his hands in his pockets and took a few steps backward.
“Have to go,” he said. “Don’t tell Jazza where we’re going. Just say the pub, okay?”
“Sure,” I said.