Chapters (48)
- Title Page
- Copyright Page
- Dedication
- THE RETURN
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- PERSISTENT ENERGY
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- THE STAR THAT KILLS
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- INNER VILENESS
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- WHITE’S ROW, EAST LONDON NOVEMBER 9 2:45 A.M.
- TERMINUS TERIMNUS
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Acknowledgements
Without my conscious effort, one of my feet moved, and suddenly I was going down the steps, away from the world, from everything that was safe. A few steps down, I heard the dripping for the first time. This got louder and louder as I went. The only other sound was a strange, faint whistling—the echo of air passing through from ventilation fans and air-conditioning units and the other tunnels that made up this vast network under the city. This was the true Underground. I started to get dizzy from the spiral, from the sameness of it all. Then the spiral stairs stopped and turned into a straight set of stairs, maybe twenty or twenty-five in all.
“Please come down,” said a voice. “Be careful on the last steps. They aren’t in very good condition.”
I froze in position. Now my brain remembered that it was supposed to be afraid. Stephen was still just one step behind me—he put his hand on my shoulder.
“No point in stopping,” the voice said.
He was right. I was so deep now that going back wasn’t an option anymore. This was the point where Stephen had to let me go on my own. He nodded to me, removing the flashlight from his belt and gripping it together with his terminus.
I took these last steps very slowly. They widened as I got nearer to the bottom, and they ended in what must have been the old entryway, where you bought tickets. The old ticket stalls were boarded up. Some of the tiling had been stripped away from the walls. There were a lot of modern safety notices stuck around, along with much older notices about smoking and nerve gas. Two arches opened in front of me. Pointing at each one was a crumbling cartoon picture of a hand, a little bit of the original Victorian decoration to direct the flow of traffic on and off of the platform. They probably looked nice at the time, but now they were unspeakably creepy.