Contents ( 132)
- THE MYSTERIES OF UDOLPHO
- * * *
- ANN RADCLIFFE
- *
- Contents
- *
- *
- VOLUME 1
- *
- Chapter I
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- Chapter II
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- Chapter III
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- Chapter IV
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- Chapter V
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- Chapter VI
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- Chapter VII
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- Chapter VIII
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- Chapter IX
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- Chapter X
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- Chapter XI
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- Chapter XII
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- Chapter XIII
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- VOLUME 2
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- Chapter I
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- Chapter II
- *
- Chapter III
- *
- Chapter IV
- *
- Chapter V
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- Chapter VI
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- Chapter VII
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- Chapter VIII
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- Chapter IX
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- Chapter X
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- Chapter XI
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- Chapter XII
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- VOLUME 3
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- Chapter I
- *
- Chapter II
- *
- Chapter III
- *
- Chapter IV
- *
- Chapter V
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- Chapter VI
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- Chapter VII
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- Chapter VIII
- *
- Chapter IV
- *
- Chapter X
- *
- Chapter XI
- *
- Chapter XII
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- Chapter XIII
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- VOLUME 4
- *
- Chapter I
- *
- Chapter II
- *
- Chapter III
- *
- Chapter IV
- *
- Chapter V
- *
- Chapter VI
- *
- Chapter VII
- *
- Chapter VIII
- *
- Chapter IV
- *
- Chapter X
- *
- Chapter XI
- *
- Chapter XII
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- Chapter XIII
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- Chapter XIV
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- Chapter XV
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- Chapter XVI
- *
- Chapter XVII
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- Chapter XVIII
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- Chapter XIX
- *
- * * *
- Endnotes
- *
'Alas-a-day! that you should leave it!' said Theresa, 'I think you would be happier here than where you are going, if one may judge.' Emily made no reply to this remark; the sorrow Theresa proceeded to express at her departure affected her, but she found some comfort in the simple affection of this poor old servant, to whom she gave such directions as might best conduce to her comfort during her own absence.
Having dismissed Theresa to bed, Emily wandered through every lonely apartment of the chateau, lingering long in what had been her father's bed-room, indulging melancholy, yet not unpleasing, emotions, and, having often returned within the door to take another look at it, she withdrew to her own chamber. From her window she gazed upon the garden below, shewn faintly by the moon, rising over the tops of the palm-trees, and, at length, the calm beauty of the night increased a desire of indulging the mournful sweetness of bidding farewel to the beloved shades of her childhood, till she was tempted to descend. Throwing over her the light veil, in which she usually walked, she silently passed into the garden, and, hastening towards the distant groves, was glad to breathe once more the air of liberty, and to sigh unobserved. The deep repose of the scene, the rich scents, that floated on the breeze, the grandeur of the wide horizon and of the clear blue arch, soothed and gradually elevated her mind to that sublime complacency, which renders the vexations of this world so insignificant and mean in our eyes, that we wonder they have had power for a moment to disturb us. Emily forgot Madame Cheron and all the circumstances of her conduct, while her thoughts ascended to the contemplation of those unnumbered worlds, that lie scattered in the depths of aether, thousands of them hid from human eyes, and almost beyond the flight of human fancy. As her imagination soared through the regions of space, and aspired to that Great First Cause, which pervades and governs all being, the idea of her father scarcely ever left her; but it was a pleasing idea, since she resigned him to God in the full confidence of a pure and holy faith. She pursued her way through the groves to the terrace, often pausing as memory awakened the pang of affection, and as reason anticipated the exile, into which she was going.
And now the moon was high over the woods, touching their summits with yellow light, and darting between the foliage long level beams; while on the rapid Garonne below the trembling radiance was faintly obscured by the lightest vapour. Emily long watched the playing lustre, listened to the soothing murmur of the current, and the yet lighter sounds of the air, as it stirred, at intervals, the lofty palm-trees. 'How delightful is the sweet breath of these groves,' said she. 'This lovely scene!—how often shall I remember and regret it, when I am far away. Alas! what events may occur before I see it again! O, peaceful, happy shades!—scenes of my infant delights, of parental tenderness now lost for ever!—why must I leave ye!—In your retreats I should still find safety and repose. Sweet hours of my childhood—I am now to leave even your last memorials! No objects, that would revive your impressions, will remain for me!'