TO MELANCHOLY

Spirit of love and sorrow—hail!
Thy solemn voice from far I hear,
Mingling with ev'ning's dying gale:
Hail, with this sadly-pleasing tear!

O! at this still, this lonely hour,
Thine own sweet hour of closing day,
Awake thy lute, whose charmful pow'r
Shall call up Fancy to obey:

To paint the wild romantic dream,
That meets the poet's musing eye,
As, on the bank of shadowy stream,
He breathes to her the fervid sigh.

O lonely spirit! let thy song
Lead me through all thy sacred haunt;
The minister's moon-light aisles along,
Where spectres raise the midnight chaunt.

I hear their dirges faintly swell!
Then, sink at once in silence drear,
While, from the pillar'd cloister's cell,
Dimly their gliding forms appear!

Lead where the pine-woods wave on high,
Whose pathless sod is darkly seen,
As the cold moon, with trembling eye,
Darts her long beams the leaves between.

Lead to the mountain's dusky head,
Where, far below, in shade profound,
Wide forests, plains and hamlets spread,
And sad the chimes of vesper sound,

Or guide me, where the dashing oar
Just breaks the stillness of the vale,
As slow it tracks the winding shore,
To meet the ocean's distant sail:

To pebbly banks, that Neptune laves,
With measur'd surges, loud and deep,
Where the dark cliff bends o'er the waves,
And wild the winds of autumn sweep.

There pause at midnight's spectred hour,
And list the long-resounding gale;
And catch the fleeting moon-light's pow'r,
O'er foaming seas and distant sail.

The soft tranquillity of the scene below, where the evening breeze scarcely curled the water, or swelled the passing sail, that caught the last gleam of the sun, and where, now and then, a dipping oar was all that disturbed the trembling radiance, conspired with the tender melody of her lute to lull her mind into a state of gentle sadness, and she sung the mournful songs of past times, till the remembrances they awakened were too powerful for her heart, her tears fell upon the lute, over which she drooped, and her voice trembled, and was unable to proceed.

Though the sun had now sunk behind the mountains, and even his reflected light was fading from their highest points, Emily did not leave the watch-tower, but continued to indulge her melancholy reverie, till a footstep, at a little distance, startled her, and, on looking through the grate, she observed a person walking below, whom, however, soon perceiving to be Mons. Bonnac, she returned to the quiet thoughtfulness his step had interrupted. After some time, she again struck her lute, and sung her favourite air; but again a step disturbed her, and, as she paused to listen, she heard it ascending the stair-case of the tower. The gloom of the hour, perhaps, made her sensible to some degree of fear, which she might not otherwise have felt; for, only a few minutes before, she had seen Mons. Bonnac pass. The steps were quick and bounding, and, in the next moment, the door of the chamber opened, and a person entered, whose features were veiled in the obscurity of twilight; but his voice could not be concealed, for it was the voice of Valancourt! At the sound, never heard by Emily, without emotion, she started, in terror, astonishment and doubtful pleasure, and had scarcely beheld him at her feet, when she sunk into a seat, overcome by the various emotions, that contended at her heart, and almost insensible to that voice, whose earnest and trembling calls seemed as if endeavouring to save her. Valancourt, as he hung over Emily, deplored his own rash impatience, in having thus surprised her: for when he had arrived at the chateau, too anxious to await the return of the Count, who, he understood, was in the grounds, he went himself to seek him, when, as he passed the tower, he was struck by the sound of Emily's voice, and immediately ascended.