Contents ( 132)
- THE MYSTERIES OF UDOLPHO
- * * *
- ANN RADCLIFFE
- *
- Contents
- *
- *
- VOLUME 1
- *
- Chapter I
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- Chapter II
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- Chapter III
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- Chapter IV
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- Chapter V
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- Chapter VI
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- Chapter VII
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- Chapter VIII
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- Chapter IX
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- Chapter X
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- Chapter XI
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- Chapter XII
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- Chapter XIII
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- VOLUME 2
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- Chapter I
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- Chapter II
- *
- Chapter III
- *
- Chapter IV
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- Chapter V
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- Chapter VI
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- Chapter VII
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- Chapter VIII
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- Chapter IX
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- Chapter X
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- Chapter XI
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- Chapter XII
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- VOLUME 3
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- Chapter I
- *
- Chapter II
- *
- Chapter III
- *
- Chapter IV
- *
- Chapter V
- *
- Chapter VI
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- Chapter VII
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- Chapter VIII
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- Chapter IV
- *
- Chapter X
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- Chapter XI
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- Chapter XII
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- Chapter XIII
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- VOLUME 4
- *
- Chapter I
- *
- Chapter II
- *
- Chapter III
- *
- Chapter IV
- *
- Chapter V
- *
- Chapter VI
- *
- Chapter VII
- *
- Chapter VIII
- *
- Chapter IV
- *
- Chapter X
- *
- Chapter XI
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- Chapter XII
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- Chapter XIII
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- Chapter XIV
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- Chapter XV
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- Chapter XVI
- *
- Chapter XVII
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- Chapter XVIII
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- Chapter XIX
- *
- * * *
- Endnotes
- *
'Did these scenes, sir,' said Blanche, 'ever appear more lovely, than they do now? To me this seems hardly possible.' The Count, regarding her with a melancholy smile, said, 'They once were as delightful to me, as they are now to you; the landscape is not changed, but time has changed me; from my mind the illusion, which gave spirit to the colouring of nature, is fading fast! If you live, my dear Blanche, to re-visit this spot, at the distance of many years, you will, perhaps, remember and understand the feelings of your father.'
Lady Blanche, affected by these words, remained silent; she looked forward to the period, which the Count anticipated, and considering, that he, who now spoke, would then probably be no more, her eyes, bent to the ground, were filed with tears. She gave her hand to her father, who, smiling affectionately, rose from his chair, and went to a window to conceal his emotion.
The fatigues of the day made the party separate at an early hour, when Blanche retired through a long oak gallery to her chamber, whose spacious and lofty walls, high antiquated casements, and, what was the effect of these, its gloomy air, did not reconcile her to its remote situation, in this antient building. The furniture, also, was of antient date; the bed was of blue damask, trimmed with tarnished gold lace, and its lofty tester rose in the form of a canopy, whence the curtains descended, like those of such tents as are sometimes represented in old pictures, and, indeed, much resembling those, exhibited on the faded tapestry, with which the chamber was hung. To Blanche, every object here was matter of curiosity; and, taking the light from her woman to examine the tapestry, she perceived, that it represented scenes from the wars of Troy, though the almost colourless worsted now mocked the glowing actions they once had painted. She laughed at the ludicrous absurdity she observed, till, recollecting, that the hands, which had wove it, were, like the poet, whose thoughts of fire they had attempted to express, long since mouldered into dust, a train of melancholy ideas passed over her mind, and she almost wept.
Having given her woman a strict injunction to awaken her, before sun- rise, she dismissed her; and then, to dissipate the gloom, which reflection had cast upon her spirits, opened one of the high casements, and was again cheered by the face of living nature. The shadowy earth, the air, and ocean—all was still. Along the deep serene of the heavens, a few light clouds floated slowly, through whose skirts the stars now seemed to tremble, and now to emerge with purer splendour. Blanche's thoughts arose involuntarily to the Great Author of the sublime objects she contemplated, and she breathed a prayer of finer devotion, than any she had ever uttered beneath the vaulted roof of a cloister. At this casement, she remained till the glooms of midnight were stretched over the prospect. She then retired to her pillow, and, 'with gay visions of to-morrow,' to those sweet slumbers, which health and happy innocence only know.