Now rising love they fann'd, now pleasing dole
They breath'd in tender musings through the heart;
And now a graver, sacred strain they stole,
As when seraphic hands an hymn impart!

Emily wept in doubtful joy and tenderness; and, when the strain ceased, she considered it as a signal, that Valancourt was about to leave the prison. Soon after, she heard steps in the corridor;—they were the light, quick steps of hope; she could scarcely support herself, as they approached, but opening the door of the apartment, she advanced to meet Valancourt, and, in the next moment, sunk in the arms of a stranger. His voice—his countenance instantly convinced her, and she fainted away.

On reviving, she found herself supported by the stranger, who was watching over her recovery, with a countenance of ineffable tenderness and anxiety. She had no spirits for reply, or enquiry; she asked no questions, but burst into tears, and disengaged herself from his arms; when the expression of his countenance changed to surprise and disappointment, and he turned to Ludovico, for an explanation; Annette soon gave the information, which Ludovico could not. 'O, sir!' said she, in a voice, interrupted with sobs; 'O, sir! you are not the other Chevalier. We expected Monsieur Valancourt, but you are not he! O Ludovico! how could you deceive us so? my poor lady will never recover it—never!' The stranger, who now appeared much agitated, attempted to speak, but his words faltered; and then striking his hand against his forehead, as if in sudden despair, he walked abruptly to the other end of the corridor.

Suddenly, Annette dried her tears, and spoke to Ludovico. 'But, perhaps,' said she, 'after all, the other Chevalier is not this: perhaps the Chevalier Valancourt is still below.' Emily raised her head. 'No,' replied Ludovico, 'Monsieur Valancourt never was below, if this gentleman is not he.' 'If you, sir,' said Ludovico, addressing the stranger, 'would but have had the goodness to trust me with your name, this mistake had been avoided.' 'Most true,' replied the stranger, speaking in broken Italian, 'but it was of the utmost consequence to me, that my name should be concealed from Montoni. Madam,' added he then, addressing Emily in French, 'will you permit me to apologize for the pain I have occasioned you, and to explain to you alone my name, and the circumstance, which has led me into this error? I am of France;—I am your countryman;—we are met in a foreign land.' Emily tried to compose her spirits; yet she hesitated to grant his request. At length, desiring, that Ludovico would wait on the stair-case, and detaining Annette, she told the stranger, that her woman understood very little Italian, and begged he would communicate what he wished to say, in that language.—Having withdrawn to a distant part of the corridor, he said, with a long- drawn sigh, 'You, madam, are no stranger to me, though I am so unhappy as to be unknown to you.—My name is Du Pont; I am of France, of Gascony, your native province, and have long admired,—and, why should I affect to disguise it?—have long loved you.' He paused, but, in the next moment, proceeded. 'My family, madam, is probably not unknown to you, for we lived within a few miles of La Vallee, and I have, sometimes, had the happiness of meeting you, on visits in the neighbourhood. I will not offend you by repeating how much you interested me; how much I loved to wander in the scenes you frequented; how often I visited your favourite fishing-house, and lamented the circumstance, which, at that time, forbade me to reveal my passion. I will not explain how I surrendered to temptation, and became possessed of a treasure, which was to me inestimable; a treasure, which I committed to your messenger, a few days ago, with expectations very different from my present ones. I will say nothing of these circumstances, for I know they will avail me little; let me only supplicate from you forgiveness, and the picture, which I so unwarily returned. Your generosity will pardon the theft, and restore the prize. My crime has been my punishment; for the portrait I stole has contributed to nourish a passion, which must still be my torment.'