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Contents ( 132)
  1. THE MYSTERIES OF UDOLPHO
  2. * * *
  3. ANN RADCLIFFE
  4. *
  5. Contents
  6. *
  7. *
  8. VOLUME 1
  9. *
  10. Chapter I
  11. *
  12. Chapter II
  13. *
  14. Chapter III
  15. *
  16. Chapter IV
  17. *
  18. Chapter V
  19. *
  20. Chapter VI
  21. *
  22. Chapter VII
  23. *
  24. Chapter VIII
  25. *
  26. Chapter IX
  27. *
  28. Chapter X
  29. *
  30. Chapter XI
  31. *
  32. Chapter XII
  33. *
  34. Chapter XIII
  35. *
  36. VOLUME 2
  37. *
  38. Chapter I
  39. *
  40. Chapter II
  41. *
  42. Chapter III
  43. *
  44. Chapter IV
  45. *
  46. Chapter V
  47. *
  48. Chapter VI
  49. *
  50. Chapter VII
  51. *
  52. Chapter VIII
  53. *
  54. Chapter IX
  55. *
  56. Chapter X
  57. *
  58. Chapter XI
  59. *
  60. Chapter XII
  61. *
  62. VOLUME 3
  63. *
  64. Chapter I
  65. *
  66. Chapter II
  67. *
  68. Chapter III
  69. *
  70. Chapter IV
  71. *
  72. Chapter V
  73. *
  74. Chapter VI
  75. *
  76. Chapter VII
  77. *
  78. Chapter VIII
  79. *
  80. Chapter IV
  81. *
  82. Chapter X
  83. *
  84. Chapter XI
  85. *
  86. Chapter XII
  87. *
  88. Chapter XIII
  89. *
  90. VOLUME 4
  91. *
  92. Chapter I
  93. *
  94. Chapter II
  95. *
  96. Chapter III
  97. *
  98. Chapter IV
  99. *
  100. Chapter V
  101. *
  102. Chapter VI
  103. *
  104. Chapter VII
  105. *
  106. Chapter VIII
  107. *
  108. Chapter IV
  109. *
  110. Chapter X
  111. *
  112. Chapter XI
  113. *
  114. Chapter XII
  115. *
  116. Chapter XIII
  117. *
  118. Chapter XIV
  119. *
  120. Chapter XV
  121. *
  122. Chapter XVI
  123. *
  124. Chapter XVII
  125. *
  126. Chapter XVIII
  127. *
  128. Chapter XIX
  129. *
  130. * * *
  131. Endnotes
  132. *

Emily, listening with surprise and attention, distinguished the following invocation delivered in the pure and elegant tongue of Tuscany, and accompanied by a few pastoral instruments.

TO A SEA-NYMPH

O nymph! who loves to float on the green wave,
When Neptune sleeps beneath the moon-light hour,
Lull'd by the music's melancholy pow'r,
O nymph, arise from out thy pearly cave!

For Hesper beams amid the twilight shade,
And soon shall Cynthia tremble o'er the tide,
Gleam on these cliffs, that bound the ocean's pride,
And lonely silence all the air pervade.

Then, let thy tender voice at distance swell,
And steal along this solitary shore,
Sink on the breeze, till dying—heard no more—
Thou wak'st the sudden magic of thy shell.

While the long coast in echo sweet replies,
Thy soothing strains the pensive heart beguile,
And bid the visions of the future smile,
O nymph! from out thy pearly cave—arise!

(Chorus)—ARISE!
(Semi-chorus)—ARISE!

The last words being repeated by the surrounding group, the garland of flowers was thrown into the waves, and the chorus, sinking gradually into a chant, died away in silence.

'What can this mean, Maddelina?' said Emily, awakening from the pleasing trance, into which the music had lulled her. 'This is the eve of a festival, Signora,' replied Maddelina; 'and the peasants then amuse themselves with all kinds of sports.'

'But they talked of a sea-nymph,' said Emily: 'how came these good people to think of a sea-nymph?'

'O, Signora,' rejoined Maddelina, mistaking the reason of Emily's surprise, 'nobody BELIEVES in such things, but our old songs tell of them, and, when we are at our sports, we sometimes sing to them, and throw garlands into the sea.'

Emily had been early taught to venerate Florence as the seat of literature and of the fine arts; but, that its taste for classic story should descend to the peasants of the country, occasioned her both surprise and admiration. The Arcadian air of the girls next attracted her attention. Their dress was a very short full petticoat of light green, with a boddice of white silk; the sleeves loose, and tied up at the shoulders with ribbons and bunches of flowers. Their hair, falling in ringlets on their necks, was also ornamented with flowers, and with a small straw hat, which, set rather backward and on one side of the head, gave an expression of gaiety and smartness to the whole figure. When the song had concluded, several of these girls approached Emily, and, inviting her to sit down among them, offered her, and Maddelina, whom they knew, grapes and figs.

Emily accepted their courtesy, much pleased with the gentleness and grace of their manners, which appeared to be perfectly natural to them; and when Bertrand, soon after, approached, and was hastily drawing her away, a peasant, holding up a flask, invited him to drink; a temptation, which Bertrand was seldom very valiant in resisting.

'Let the young lady join in the dance, my friend,' said the peasant, 'while we empty this flask. They are going to begin directly. Strike up! my lads, strike up your tambourines and merry flutes!'