Contents ( 132)
- THE MYSTERIES OF UDOLPHO
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- ANN RADCLIFFE
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- Contents
- *
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- VOLUME 1
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- Chapter I
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- Chapter II
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- Chapter III
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- Chapter IV
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- Chapter V
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- Chapter VI
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- Chapter VII
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- Chapter VIII
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- Chapter IX
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- Chapter X
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- Chapter XI
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- Chapter XII
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- Chapter XIII
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- VOLUME 2
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- Chapter I
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- Chapter II
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- Chapter III
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- Chapter IV
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- Chapter V
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- Chapter VI
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- Chapter VII
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- Chapter VIII
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- Chapter IX
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- Chapter X
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- Chapter XI
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- Chapter XII
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- VOLUME 3
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- Chapter I
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- Chapter II
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- Chapter III
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- Chapter IV
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- Chapter V
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- Chapter VI
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- Chapter VII
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- Chapter VIII
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- Chapter IV
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- Chapter X
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- Chapter XI
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- Chapter XII
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- Chapter XIII
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- VOLUME 4
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- Chapter I
- *
- Chapter II
- *
- Chapter III
- *
- Chapter IV
- *
- Chapter V
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- Chapter VI
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- Chapter VII
- *
- Chapter VIII
- *
- Chapter IV
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- Chapter X
- *
- Chapter XI
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- Chapter XII
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- Chapter XIII
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- Chapter XIV
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- Chapter XV
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- Chapter XVI
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- Chapter XVII
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- Chapter XVIII
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- Chapter XIX
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- * * *
- Endnotes
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The eldest of these was a tall man, with strong Italian features, an aquiline nose, and dark penetrating eyes, that flashed with fire, when his mind was agitated, and, even in its state of rest, retained somewhat of the wildness of the passions. His visage was long and narrow, and his complexion of a sickly yellow.
The other, who appeared to be about forty, had features of a different cast, yet Italian, and his look was slow, subtle and penetrating; his eyes, of a dark grey, were small, and hollow; his complexion was a sun-burnt brown, and the contour of his face, though inclined to oval, was irregular and ill-formed.
Eight other guests sat round the table, who were all dressed in an uniform, and had all an expression, more or less, of wild fierceness, of subtle design, or of licentious passions. As Emily timidly surveyed them, she remembered the scene of the preceding morning, and again almost fancied herself surrounded by banditti; then, looking back to the tranquillity of her early life, she felt scarcely less astonishment, than grief, at her present situation. The scene, in which they sat, assisted the illusion; it was an antient hall, gloomy from the style of its architecture, from its great extent, and because almost the only light it received was from one large gothic window, and from a pair of folding doors, which, being open, admitted likewise a view of the west rampart, with the wild mountains of the Apennine beyond.
The middle compartment of this hall rose into a vaulted roof, enriched with fretwork, and supported, on three sides, by pillars of marble; beyond these, long colonades retired in gloomy grandeur, till their extent was lost in twilight. The lightest footsteps of the servants, as they advanced through these, were returned in whispering echoes, and their figures, seen at a distance imperfectly through the dusk, frequently awakened Emily's imagination. She looked alternately at Montoni, at his guests and on the surrounding scene; and then, remembering her dear native province, her pleasant home and the simplicity and goodness of the friends, whom she had lost, grief and surprise again occupied her mind.
When her thoughts could return from these considerations, she fancied she observed an air of authority towards his guests, such as she had never before seen him assume, though he had always been distinguished by an haughty carriage; there was something also in the manners of the strangers, that seemed perfectly, though not servilely, to acknowledge his superiority.
During dinner, the conversation was chiefly on war and politics. They talked with energy of the state of Venice, its dangers, the character of the reigning Doge and of the chief senators; and then spoke of the state of Rome. When the repast was over, they rose, and, each filling his goblet with wine from the gilded ewer, that stood beside him, drank 'Success to our exploits!' Montoni was lifting his goblet to his lips to drink this toast, when suddenly the wine hissed, rose to the brim, and, as he held the glass from him, it burst into a thousand pieces.