Contents ( 132)
- THE MYSTERIES OF UDOLPHO
- * * *
- ANN RADCLIFFE
- *
- Contents
- *
- *
- VOLUME 1
- *
- Chapter I
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- Chapter II
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- Chapter III
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- Chapter IV
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- Chapter V
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- Chapter VI
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- Chapter VII
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- Chapter VIII
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- Chapter IX
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- Chapter X
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- Chapter XI
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- Chapter XII
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- Chapter XIII
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- VOLUME 2
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- Chapter I
- *
- Chapter II
- *
- Chapter III
- *
- Chapter IV
- *
- Chapter V
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- Chapter VI
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- Chapter VII
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- Chapter VIII
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- Chapter IX
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- Chapter X
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- Chapter XI
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- Chapter XII
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- VOLUME 3
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- Chapter I
- *
- Chapter II
- *
- Chapter III
- *
- Chapter IV
- *
- Chapter V
- *
- Chapter VI
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- Chapter VII
- *
- Chapter VIII
- *
- Chapter IV
- *
- Chapter X
- *
- Chapter XI
- *
- Chapter XII
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- Chapter XIII
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- VOLUME 4
- *
- Chapter I
- *
- Chapter II
- *
- Chapter III
- *
- Chapter IV
- *
- Chapter V
- *
- Chapter VI
- *
- Chapter VII
- *
- Chapter VIII
- *
- Chapter IV
- *
- Chapter X
- *
- Chapter XI
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- Chapter XII
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- Chapter XIII
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- Chapter XIV
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- Chapter XV
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- Chapter XVI
- *
- Chapter XVII
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- Chapter XVIII
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- Chapter XIX
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- * * *
- Endnotes
- *
Meanwhile, the Count remained in a cottage in the skirts of the woods below, suffering under bodily and mental pain, and meditating deep revenge against Montoni. His servant, whom he had dispatched for a surgeon to the nearest town, which was, however, at a considerable distance, did not return till the following day, when, his wounds being examined and dressed, the practitioner refused to deliver any positive opinion, concerning the degree of danger attending them; but giving his patient a composing draught and ordering him to be quiet, remained at the cottage to watch the event.
Emily, for the remainder of the late eventful night, had been suffered to sleep, undisturbed; and, when her mind recovered from the confusion of slumber, and she remembered, that she was now released from the addresses of Count Morano, her spirits were suddenly relieved from a part of the terrible anxiety, that had long oppressed them; that which remained, arose chiefly from a recollection of Morano's assertions, concerning the schemes of Montoni. He had said, that plans of the latter, concerning Emily, were insearchable, yet that he knew them to be terrible. At the time he uttered this, she almost believed it to be designed for the purpose of prevailing with her to throw herself into his protection, and she still thought it might be chiefly so accounted for; but his assertions had left an impression on her mind, which a consideration of the character and former conduct of Montoni did not contribute to efface. She, however, checked her propensity to anticipate evil; and, determined to enjoy this respite from actual misfortune, tried to dismiss thought, took her instruments for drawing, and placed herself at a window, to select into a landscape some features of the scenery without.
As she was thus employed, she saw, walking on the rampart below, the men, who had so lately arrived at the castle. The sight of strangers surprised her, but still more, of strangers such as these. There was a singularity in their dress, and a certain fierceness in their air, that fixed all her attention. She withdrew from the casement, while they passed, but soon returned to observe them further. Their figures seemed so well suited to the wildness of the surrounding objects, that, as they stood surveying the castle, she sketched them for banditti, amid the mountain-view of her picture, when she had finished which, she was surprised to observe the spirit of her group. But she had copied from nature.
Carlo, when he had placed refreshment before these men in the apartment assigned to them, returned, as he was ordered, to Montoni, who was anxious to discover by what servant the keys of the castle had been delivered to Morano, on the preceding night. But this man, though he was too faithful to his master quietly to see him injured, would not betray a fellow-servant even to justice; he, therefore, pretended to be ignorant who it was, that had conspired with Count Morano, and related, as before, that he had only overheard some of the strangers describing the plot.