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Contents ( 132)
  1. THE MYSTERIES OF UDOLPHO
  2. * * *
  3. ANN RADCLIFFE
  4. *
  5. Contents
  6. *
  7. *
  8. VOLUME 1
  9. *
  10. Chapter I
  11. *
  12. Chapter II
  13. *
  14. Chapter III
  15. *
  16. Chapter IV
  17. *
  18. Chapter V
  19. *
  20. Chapter VI
  21. *
  22. Chapter VII
  23. *
  24. Chapter VIII
  25. *
  26. Chapter IX
  27. *
  28. Chapter X
  29. *
  30. Chapter XI
  31. *
  32. Chapter XII
  33. *
  34. Chapter XIII
  35. *
  36. VOLUME 2
  37. *
  38. Chapter I
  39. *
  40. Chapter II
  41. *
  42. Chapter III
  43. *
  44. Chapter IV
  45. *
  46. Chapter V
  47. *
  48. Chapter VI
  49. *
  50. Chapter VII
  51. *
  52. Chapter VIII
  53. *
  54. Chapter IX
  55. *
  56. Chapter X
  57. *
  58. Chapter XI
  59. *
  60. Chapter XII
  61. *
  62. VOLUME 3
  63. *
  64. Chapter I
  65. *
  66. Chapter II
  67. *
  68. Chapter III
  69. *
  70. Chapter IV
  71. *
  72. Chapter V
  73. *
  74. Chapter VI
  75. *
  76. Chapter VII
  77. *
  78. Chapter VIII
  79. *
  80. Chapter IV
  81. *
  82. Chapter X
  83. *
  84. Chapter XI
  85. *
  86. Chapter XII
  87. *
  88. Chapter XIII
  89. *
  90. VOLUME 4
  91. *
  92. Chapter I
  93. *
  94. Chapter II
  95. *
  96. Chapter III
  97. *
  98. Chapter IV
  99. *
  100. Chapter V
  101. *
  102. Chapter VI
  103. *
  104. Chapter VII
  105. *
  106. Chapter VIII
  107. *
  108. Chapter IV
  109. *
  110. Chapter X
  111. *
  112. Chapter XI
  113. *
  114. Chapter XII
  115. *
  116. Chapter XIII
  117. *
  118. Chapter XIV
  119. *
  120. Chapter XV
  121. *
  122. Chapter XVI
  123. *
  124. Chapter XVII
  125. *
  126. Chapter XVIII
  127. *
  128. Chapter XIX
  129. *
  130. * * *
  131. Endnotes
  132. *

He was in the cedar parlour, that adjoined the great hall, laid upon a couch, and suffering a degree of anguish from his wound, which few persons could have disguised, as he did. His countenance, which was stern, but calm, expressed the dark passion of revenge, but no symptom of pain; bodily pain, indeed, he had always despised, and had yielded only to the strong and terrible energies of the soul. He was attended by old Carlo and by Signor Bertolini, but Madame Montoni was not with him.

Emily trembled, as she approached and received his severe rebuke, for not having obeyed his first summons; and perceived, also, that he attributed her stay in the corridor to a motive, that had not even occurred to her artless mind.

'This is an instance of female caprice,' said he, 'which I ought to have foreseen. Count Morano, whose suit you obstinately rejected, so long as it was countenanced by me, you favour, it seems, since you find I have dismissed him.'

Emily looked astonished. 'I do not comprehend you, sir,' said she: 'You certainly do not mean to imply, that the design of the Count to visit the double-chamber, was founded upon any approbation of mine.'

'To that I reply nothing,' said Montoni; 'but it must certainly be a more than common interest, that made you plead so warmly in his cause, and that could detain you thus long in his presence, contrary to my express order—in the presence of a man, whom you have hitherto, on all occasions, most scrupulously shunned!'

'I fear, sir, it was a more than common interest, that detained me,' said Emily calmly; 'for of late I have been inclined to think, that of compassion is an uncommon one. But how could I, could YOU, sir, witness Count Morano's deplorable condition, and not wish to relieve it?'

'You add hypocrisy to caprice,' said Montoni, frowning, 'and an attempt at satire, to both; but, before you undertake to regulate the morals of other persons, you should learn and practise the virtues, which are indispensable to a woman—sincerity, uniformity of conduct and obedience.'

Emily, who had always endeavoured to regulate her conduct by the nicest laws, and whose mind was finely sensible, not only of what is just in morals, but of whatever is beautiful in the female character, was shocked by these words; yet, in the next moment, her heart swelled with the consciousness of having deserved praise, instead of censure, and she was proudly silent. Montoni, acquainted with the delicacy of her mind, knew how keenly she would feel his rebuke; but he was a stranger to the luxury of conscious worth, and, therefore, did not foresee the energy of that sentiment, which now repelled his satire. Turning to a servant who had lately entered the room, he asked whether Morano had quitted the castle. The man answered, that his servants were then removing him, on a couch, to a neighbouring cottage. Montoni seemed somewhat appeased, on hearing this; and, when Ludovico appeared, a few moments after, and said, that Morano was gone, he told Emily she might retire to her apartment.