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Contents ( 132)
  1. THE MYSTERIES OF UDOLPHO
  2. * * *
  3. ANN RADCLIFFE
  4. *
  5. Contents
  6. *
  7. *
  8. VOLUME 1
  9. *
  10. Chapter I
  11. *
  12. Chapter II
  13. *
  14. Chapter III
  15. *
  16. Chapter IV
  17. *
  18. Chapter V
  19. *
  20. Chapter VI
  21. *
  22. Chapter VII
  23. *
  24. Chapter VIII
  25. *
  26. Chapter IX
  27. *
  28. Chapter X
  29. *
  30. Chapter XI
  31. *
  32. Chapter XII
  33. *
  34. Chapter XIII
  35. *
  36. VOLUME 2
  37. *
  38. Chapter I
  39. *
  40. Chapter II
  41. *
  42. Chapter III
  43. *
  44. Chapter IV
  45. *
  46. Chapter V
  47. *
  48. Chapter VI
  49. *
  50. Chapter VII
  51. *
  52. Chapter VIII
  53. *
  54. Chapter IX
  55. *
  56. Chapter X
  57. *
  58. Chapter XI
  59. *
  60. Chapter XII
  61. *
  62. VOLUME 3
  63. *
  64. Chapter I
  65. *
  66. Chapter II
  67. *
  68. Chapter III
  69. *
  70. Chapter IV
  71. *
  72. Chapter V
  73. *
  74. Chapter VI
  75. *
  76. Chapter VII
  77. *
  78. Chapter VIII
  79. *
  80. Chapter IV
  81. *
  82. Chapter X
  83. *
  84. Chapter XI
  85. *
  86. Chapter XII
  87. *
  88. Chapter XIII
  89. *
  90. VOLUME 4
  91. *
  92. Chapter I
  93. *
  94. Chapter II
  95. *
  96. Chapter III
  97. *
  98. Chapter IV
  99. *
  100. Chapter V
  101. *
  102. Chapter VI
  103. *
  104. Chapter VII
  105. *
  106. Chapter VIII
  107. *
  108. Chapter IV
  109. *
  110. Chapter X
  111. *
  112. Chapter XI
  113. *
  114. Chapter XII
  115. *
  116. Chapter XIII
  117. *
  118. Chapter XIV
  119. *
  120. Chapter XV
  121. *
  122. Chapter XVI
  123. *
  124. Chapter XVII
  125. *
  126. Chapter XVIII
  127. *
  128. Chapter XIX
  129. *
  130. * * *
  131. Endnotes
  132. *

The dawn, soon after, trembled in the eastern horizon, and the light tints of morning, gradually expanding, shewed the beautifully declining forms of the Italian mountains and the gleaming landscapes, stretched at their feet. Then the sun-beams, shooting up from behind the hills, spread over the scene that fine saffron tinge, which seems to impart repose to all it touches. The landscape no longer gleamed; all its glowing colours were revealed, except that its remoter features were still softened and united in the mist of distance, whose sweet effect was heightened to Emily by the dark verdure of the pines and cypresses, that over-arched the foreground of the river.

The market people, passing with their boats to Venice, now formed a moving picture on the Brenta. Most of these had little painted awnings, to shelter their owners from the sun-beams, which, together with the piles of fruit and flowers, displayed beneath, and the tasteful simplicity of the peasant girls, who watched the rural treasures, rendered them gay and striking objects. The swift movement of the boats down the current, the quick glance of oars in the water, and now and then the passing chorus of peasants, who reclined under the sail of their little bark, or the tones of some rustic instrument, played by a girl, as she sat near her sylvan cargo, heightened the animation and festivity of the scene.

When Montoni and M. Quesnel had joined the ladies, the party left the portico for the gardens, where the charming scenery soon withdrew Emily's thoughts from painful subjects. The majestic forms and rich verdure of cypresses she had never seen so perfect before: groves of cedar, lemon, and orange, the spiry clusters of the pine and poplar, the luxuriant chesnut and oriental plane, threw all their pomp of shade over these gardens; while bowers of flowering myrtle and other spicy shrubs mingled their fragrance with that of flowers, whose vivid and various colouring glowed with increased effect beneath the contrasted umbrage of the groves. The air also was continually refreshed by rivulets, which, with more taste than fashion, had been suffered to wander among the green recesses.

Emily often lingered behind the party, to contemplate the distant landscape, that closed a vista, or that gleamed beneath the dark foliage of the foreground;—the spiral summits of the mountains, touched with a purple tint, broken and steep above, but shelving gradually to their base; the open valley, marked by no formal lines of art; and the tall groves of cypress, pine and poplar, sometimes embellished by a ruined villa, whose broken columns appeared between the branches of a pine, that seemed to droop over their fall.

From other parts of the gardens, the character of the view was entirely changed, and the fine solitary beauty of the landscape shifted for the crowded features and varied colouring of inhabitation.

The sun was now gaining fast upon the sky, and the party quitted the gardens, and retired to repose.

Chapter IV

*

And poor Misfortune feels the lash of Vice.[23]