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Contents ( 132)
  1. THE MYSTERIES OF UDOLPHO
  2. * * *
  3. ANN RADCLIFFE
  4. *
  5. Contents
  6. *
  7. *
  8. VOLUME 1
  9. *
  10. Chapter I
  11. *
  12. Chapter II
  13. *
  14. Chapter III
  15. *
  16. Chapter IV
  17. *
  18. Chapter V
  19. *
  20. Chapter VI
  21. *
  22. Chapter VII
  23. *
  24. Chapter VIII
  25. *
  26. Chapter IX
  27. *
  28. Chapter X
  29. *
  30. Chapter XI
  31. *
  32. Chapter XII
  33. *
  34. Chapter XIII
  35. *
  36. VOLUME 2
  37. *
  38. Chapter I
  39. *
  40. Chapter II
  41. *
  42. Chapter III
  43. *
  44. Chapter IV
  45. *
  46. Chapter V
  47. *
  48. Chapter VI
  49. *
  50. Chapter VII
  51. *
  52. Chapter VIII
  53. *
  54. Chapter IX
  55. *
  56. Chapter X
  57. *
  58. Chapter XI
  59. *
  60. Chapter XII
  61. *
  62. VOLUME 3
  63. *
  64. Chapter I
  65. *
  66. Chapter II
  67. *
  68. Chapter III
  69. *
  70. Chapter IV
  71. *
  72. Chapter V
  73. *
  74. Chapter VI
  75. *
  76. Chapter VII
  77. *
  78. Chapter VIII
  79. *
  80. Chapter IV
  81. *
  82. Chapter X
  83. *
  84. Chapter XI
  85. *
  86. Chapter XII
  87. *
  88. Chapter XIII
  89. *
  90. VOLUME 4
  91. *
  92. Chapter I
  93. *
  94. Chapter II
  95. *
  96. Chapter III
  97. *
  98. Chapter IV
  99. *
  100. Chapter V
  101. *
  102. Chapter VI
  103. *
  104. Chapter VII
  105. *
  106. Chapter VIII
  107. *
  108. Chapter IV
  109. *
  110. Chapter X
  111. *
  112. Chapter XI
  113. *
  114. Chapter XII
  115. *
  116. Chapter XIII
  117. *
  118. Chapter XIV
  119. *
  120. Chapter XV
  121. *
  122. Chapter XVI
  123. *
  124. Chapter XVII
  125. *
  126. Chapter XVIII
  127. *
  128. Chapter XIX
  129. *
  130. * * *
  131. Endnotes
  132. *

Montoni smiled satirically at what Emily had written, but did not object to it, and she withdrew to her own apartment, where she sat down to begin a letter to Valancourt, in which she related the particulars of her journey, and her arrival at Venice, described some of the most striking scenes in the passage over the Alps; her emotions on her first view of Italy; the manners and characters of the people around her, and some few circumstances of Montoni's conduct. But she avoided even naming Count Morano, much more the declaration he had made, since she well knew how tremblingly alive to fear is real love, how jealously watchful of every circumstance that may affect its interest; and she scrupulously avoided to give Valancourt even the slightest reason for believing he had a rival.

On the following day Count Morano dined again at Montoni's. He was in an uncommon flow of spirits, and Emily thought there was somewhat of exultation in his manner of addressing her, which she had never observed before. She endeavoured to repress this by more than her usual reserve, but the cold civility of her air now seemed rather to encourage than to depress him. He appeared watchful of an opportunity of speaking with her alone, and more than once solicited this; but Emily always replied, that she could hear nothing from him which he would be unwilling to repeat before the whole company.

In the evening, Madame Montoni and her party went out upon the sea, and as the Count led Emily to his zendaletto, he carried her hand to his lips, and thanked her for the condescension she had shown him. Emily, in extreme surprise and displeasure, hastily withdrew her hand, and concluded that he had spoken ironically; but, on reaching the steps of the terrace, and observing by the livery, that it was the Count's zendaletto which waited below, while the rest of the party, having arranged themselves in the gondolas, were moving on, she determined not to permit a separate conversation, and, wishing him a good evening, returned to the portico. The Count followed to expostulate and entreat, and Montoni, who then came out, rendered solicitation unnecessary, for, without condescending to speak, he took her hand, and led her to the zendaletto. Emily was not silent; she entreated Montoni, in a low voice, to consider the impropriety of these circumstances, and that he would spare her the mortification of submitting to them; he, however, was inflexible.

'This caprice is intolerable,' said he, 'and shall not be indulged: there is no impropriety in the case.'

At this moment, Emily's dislike of Count Morano rose to abhorrence. That he should, with undaunted assurance, thus pursue her, notwithstanding all she had expressed on the subject of his addresses, and think, as it was evident he did, that her opinion of him was of no consequence, so long as his pretensions were sanctioned by Montoni, added indignation to the disgust which she had felt towards him. She was somewhat relieved by observing that Montoni was to be of the party, who seated himself on one side of her, while Morano placed himself on the other. There was a pause for some moments as the gondolieri prepared their oars, and Emily trembled from apprehension of the discourse that might follow this silence. At length she collected courage to break it herself, in the hope of preventing fine speeches from Morano, and reproof from Montoni. To some trivial remark which she made, the latter returned a short and disobliging reply; but Morano immediately followed with a general observation, which he contrived to end with a particular compliment, and, though Emily passed it without even the notice of a smile, he was not discouraged.