Contents ( 132)
- THE MYSTERIES OF UDOLPHO
- * * *
- ANN RADCLIFFE
- *
- Contents
- *
- *
- VOLUME 1
- *
- Chapter I
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- Chapter II
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- Chapter III
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- Chapter IV
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- Chapter V
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- Chapter VI
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- Chapter VII
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- Chapter VIII
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- Chapter IX
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- Chapter X
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- Chapter XI
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- Chapter XII
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- Chapter XIII
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- VOLUME 2
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- Chapter I
- *
- Chapter II
- *
- Chapter III
- *
- Chapter IV
- *
- Chapter V
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- Chapter VI
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- Chapter VII
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- Chapter VIII
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- Chapter IX
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- Chapter X
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- Chapter XI
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- Chapter XII
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- VOLUME 3
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- Chapter I
- *
- Chapter II
- *
- Chapter III
- *
- Chapter IV
- *
- Chapter V
- *
- Chapter VI
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- Chapter VII
- *
- Chapter VIII
- *
- Chapter IV
- *
- Chapter X
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- Chapter XI
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- Chapter XII
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- Chapter XIII
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- VOLUME 4
- *
- Chapter I
- *
- Chapter II
- *
- Chapter III
- *
- Chapter IV
- *
- Chapter V
- *
- Chapter VI
- *
- Chapter VII
- *
- Chapter VIII
- *
- Chapter IV
- *
- Chapter X
- *
- Chapter XI
- *
- Chapter XII
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- Chapter XIII
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- Chapter XIV
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- Chapter XV
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- Chapter XVI
- *
- Chapter XVII
- *
- Chapter XVIII
- *
- Chapter XIX
- *
- * * *
- Endnotes
- *
Meanwhile, Montoni, who was weary of this harmony, was considering how he might disengage himself from his party, or withdraw with such of it as would be willing to play, to a Casino. In a pause of the music, he proposed returning to shore, a proposal which Orsino eagerly seconded, but which the Count and the other gentlemen as warmly opposed.
Montoni still meditated how he might excuse himself from longer attendance upon the Count, for to him only he thought excuse necessary, and how he might get to land, till the gondolieri of an empty boat, returning to Venice, hailed his people. Without troubling himself longer about an excuse, he seized this opportunity of going thither, and, committing the ladies to the care of his friends, departed with Orsino, while Emily, for the first time, saw him go with regret; for she considered his presence a protection, though she knew not what she should fear. He landed at St. Mark's, and, hurrying to a Casino, was soon lost amidst a crowd of gamesters.
Meanwhile, the Count having secretly dispatched a servant in Montoni's boat, for his own gondola and musicians, Emily heard, without knowing his project, the gay song of gondolieri approaching, as they sat on the stern of the boat, and saw the tremulous gleam of the moon-light wave, which their oars disturbed. Presently she heard the sound of instruments, and then a full symphony swelled on the air, and, the boats meeting, the gondolieri hailed each other. The count then explaining himself, the party removed into his gondola, which was embellished with all that taste could bestow.
While they partook of a collation of fruits and ice, the whole band, following at a distance in the other boat, played the most sweet and enchanting strains, and the Count, who had again seated himself by Emily, paid her unremitted attention, and sometimes, in a low but impassioned voice, uttered compliments which she could not misunderstand. To avoid them she conversed with Signora Livona, and her manner to the Count assumed a mild reserve, which, though dignified, was too gentle to repress his assiduities: he could see, hear, speak to no person, but Emily while Cavigni observed him now and then, with a look of displeasure, and Emily, with one of uneasiness. she now wished for nothing so much as to return to Venice, but it was near mid-night before the gondolas approached St. Mark's Place, where the voice of gaiety and song was loud. The busy hum of mingling sounds was heard at a considerable distance on the water, and, had not a bright moon-light discovered the city, with its terraces and towers, a stranger would almost have credited the fabled wonders of Neptune's court, and believed, that the tumult arose from beneath the waves.
They landed at St. Mark's, where the gaiety of the colonnades and the beauty of the night, made Madame Montoni willingly submit to the Count's solicitations to join the promenade, and afterwards to take a supper with the rest of the party, at his Casino. If any thing could have dissipated Emily's uneasiness, it would have been the grandeur, gaiety, and novelty of the surrounding scene, adorned with Palladio's palaces, and busy with parties of masqueraders.