Contents ( 132)
- THE MYSTERIES OF UDOLPHO
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- ANN RADCLIFFE
- *
- Contents
- *
- *
- VOLUME 1
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- Chapter I
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- Chapter II
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- Chapter III
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- Chapter IV
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- Chapter V
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- Chapter VI
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- Chapter VII
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- Chapter VIII
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- Chapter IX
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- Chapter X
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- Chapter XI
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- Chapter XII
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- Chapter XIII
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- VOLUME 2
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- Chapter I
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- Chapter II
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- Chapter III
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- Chapter IV
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- Chapter V
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- Chapter VI
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- Chapter VII
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- Chapter VIII
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- Chapter IX
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- Chapter X
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- Chapter XI
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- Chapter XII
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- VOLUME 3
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- Chapter I
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- Chapter II
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- Chapter III
- *
- Chapter IV
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- Chapter V
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- Chapter VI
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- Chapter VII
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- Chapter VIII
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- Chapter IV
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- Chapter X
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- Chapter XI
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- Chapter XII
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- Chapter XIII
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- VOLUME 4
- *
- Chapter I
- *
- Chapter II
- *
- Chapter III
- *
- Chapter IV
- *
- Chapter V
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- Chapter VI
- *
- Chapter VII
- *
- Chapter VIII
- *
- Chapter IV
- *
- Chapter X
- *
- Chapter XI
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- Chapter XII
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- Chapter XIII
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- Chapter XIV
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- Chapter XV
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- Chapter XVI
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- Chapter XVII
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- Chapter XVIII
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- Chapter XIX
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- * * *
- Endnotes
- *
The travellers, passing Novalesa, reached, after the evening had closed, the small and antient town of Susa, which had formerly guarded this pass of the Alps into Piedmont. The heights which command it had, since the invention of artillery, rendered its fortifications useless; but these romantic heights, seen by moon- light, with the town below, surrounded by its walls and watchtowers, and partially illumined, exhibited an interesting picture to Emily. Here they rested for the night at an inn, which had little accommodation to boast of; but the travellers brought with them the hunger that gives delicious flavour to the coarsest viands, and the weariness that ensures repose; and here Emily first caught a strain of Italian music, on Italian ground. As she sat after supper at a little window, that opened upon the country, observing an effect of the moon-light on the broken surface of the mountains, and remembering that on such a night as this she once had sat with her father and Valancourt, resting upon a cliff of the Pyrenees, she heard from below the long-drawn notes of a violin, of such tone and delicacy of expression, as harmonized exactly with the tender emotions she was indulging, and both charmed and surprised her. Cavigni, who approached the window, smiled at her surprise. 'This is nothing extraordinary,' said he, 'you will hear the same, perhaps, at every inn on our way. It is one of our landlord's family who plays, I doubt not,' Emily, as she listened, thought he could be scarcely less than a professor of music whom she heard; and the sweet and plaintive strains soon lulled her into a reverie, from which she was very unwillingly roused by the raillery of Cavigni, and by the voice of Montoni, who gave orders to a servant to have the carriages ready at an early hour on the following morning; and added, that he meant to dine at Turin.
Madame Montoni was exceedingly rejoiced to be once more on level ground; and, after giving a long detail of the various terrors she had suffered, which she forgot that she was describing to the companions of her dangers, she added a hope, that she should soon be beyond the view of these horrid mountains, 'which all the world,' said she, 'should not tempt me to cross again.' Complaining of fatigue she soon retired to rest, and Emily withdrew to her own room, when she understood from Annette, her aunt's woman, that Cavigni was nearly right in his conjecture concerning the musician, who had awakened the violin with so much taste, for that he was the son of a peasant inhabiting the neighbouring valley. 'He is going to the Carnival at Venice,' added Annette, 'for they say he has a fine hand at playing, and will get a world of money; and the Carnival is just going to begin: but for my part, I should like to live among these pleasant woods and hills, better than in a town; and they say Ma'moiselle, we shall see no woods, or hills, or fields, at Venice, for that it is built in the very middle of the sea.'