The Mysteries of Udolpho
Contents ( 132)
- THE MYSTERIES OF UDOLPHO
- * * *
- ANN RADCLIFFE
- *
- Contents
- *
- *
- VOLUME 1
- *
- Chapter I
- *
- Chapter II
- *
- Chapter III
- *
- Chapter IV
- *
- Chapter V
- *
- Chapter VI
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- Chapter VII
- *
- Chapter VIII
- *
- Chapter IX
- *
- Chapter X
- *
- Chapter XI
- *
- Chapter XII
- *
- Chapter XIII
- *
- VOLUME 2
- *
- Chapter I
- *
- Chapter II
- *
- Chapter III
- *
- Chapter IV
- *
- Chapter V
- *
- Chapter VI
- *
- Chapter VII
- *
- Chapter VIII
- *
- Chapter IX
- *
- Chapter X
- *
- Chapter XI
- *
- Chapter XII
- *
- VOLUME 3
- *
- Chapter I
- *
- Chapter II
- *
- Chapter III
- *
- Chapter IV
- *
- Chapter V
- *
- Chapter VI
- *
- Chapter VII
- *
- Chapter VIII
- *
- Chapter IV
- *
- Chapter X
- *
- Chapter XI
- *
- Chapter XII
- *
- Chapter XIII
- *
- VOLUME 4
- *
- Chapter I
- *
- Chapter II
- *
- Chapter III
- *
- Chapter IV
- *
- Chapter V
- *
- Chapter VI
- *
- Chapter VII
- *
- Chapter VIII
- *
- Chapter IV
- *
- Chapter X
- *
- Chapter XI
- *
- Chapter XII
- *
- Chapter XIII
- *
- Chapter XIV
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- Chapter XV
- *
- Chapter XVI
- *
- Chapter XVII
- *
- Chapter XVIII
- *
- Chapter XIX
- *
- * * *
- Endnotes
- *

THE MYSTERIES OF UDOLPHO
A ROMANCE INTERSPERSED WITH SOME PIECES OF POETRY
* * *
ANN RADCLIFFE

*
The Mysteries of Udolpho
A Romance Interspersed With Some Pieces of Poetry
First published in 1794
ISBN 978-1-62011-190-1
Duke Classics
© 2012 Duke Classics and its licensors. All rights reserved.
While every effort has been used to ensure the accuracy and reliability of the information contained in this edition, Duke Classics does not assume liability or responsibility for any errors or omissions in this book. Duke Classics does not accept responsibility for loss suffered as a result of reliance upon the accuracy or currency of information contained in this book.
Contents
*
VOLUME 1
Chapter I
Chapter II
Chapter III
Chapter IV
Chapter V
Chapter VI
Chapter VII
Chapter VIII
Chapter IX
Chapter X
Chapter XI
Chapter XII
Chapter XIII
VOLUME 2
Chapter I
Chapter II
Chapter III
Chapter IV
Chapter V
Chapter VI
Chapter VII
Chapter VIII
Chapter IX
Chapter X
Chapter XI
Chapter XII
VOLUME 3
Chapter I
Chapter II
Chapter III
Chapter IV
Chapter V
Chapter VI
Chapter VII
Chapter VIII
Chapter IV
Chapter X
Chapter XI
Chapter XII
Chapter XIII
VOLUME 4
Chapter I
Chapter II
Chapter III
Chapter IV
Chapter V
Chapter VI
Chapter VII
Chapter VIII
Chapter IV
Chapter X
Chapter XI
Chapter XII
Chapter XIII
Chapter XIV
Chapter XV
Chapter XVI
Chapter XVII
Chapter XVIII
Chapter XIX
Endnotes
*
Fate sits on these dark battlements, and frowns,
And, as the portals open to receive me,
Her voice, in sullen echoes through the courts,
Tells of a nameless deed.
VOLUME 1
*
Chapter I
*
Home is the resort
Of love, of joy, of peace and plenty, where,
Supporting and supported, polish'd friends
And dear relations mingle into bliss.[1]
On the pleasant banks of the Garonne, in the province of Gascony, stood, in the year 1584, the chateau of Monsieur St. Aubert. From its windows were seen the pastoral landscapes of Guienne and Gascony stretching along the river, gay with luxuriant woods and vine, and plantations of olives. To the south, the view was bounded by the majestic Pyrenees, whose summits, veiled in clouds, or exhibiting awful forms, seen, and lost again, as the partial vapours rolled along, were sometimes barren, and gleamed through the blue tinge of air, and sometimes frowned with forests of gloomy pine, that swept downward to their base. These tremendous precipices were contrasted by the soft green of the pastures and woods that hung upon their skirts; among whose flocks, and herds, and simple cottages, the eye, after having scaled the cliffs above, delighted to repose. To the north, and to the east, the plains of Guienne and Languedoc were lost in the mist of distance; on the west, Gascony was bounded by the waters of Biscay.
M. St. Aubert loved to wander, with his wife and daughter, on the margin of the Garonne, and to listen to the music that floated on its waves. He had known life in other forms than those of pastoral simplicity, having mingled in the gay and in the busy scenes of the world; but the flattering portrait of mankind, which his heart had delineated in early youth, his experience had too sorrowfully corrected. Yet, amidst the changing visions of life, his principles remained unshaken, his benevolence unchilled; and he retired from the multitude 'more in PITY than in anger,' to scenes of simple nature, to the pure delights of literature, and to the exercise of domestic virtues.