Back The Musician and the Monster
Chapters (39)
  1. Cover
  2. About The Musician and the Monster
  3. Chapter 1
  4. Chapter 2
  5. Chapter 3
  6. Chapter 4
  7. Chapter 5
  8. Chapter 6
  9. Chapter 7
  10. Chapter 8
  11. Chapter 9
  12. Chapter 10
  13. Chapter 11
  14. Chapter 12
  15. Chapter 13
  16. Chapter 14
  17. Chapter 15
  18. Chapter 16
  19. Chapter 17
  20. Chapter 18
  21. Chapter 19
  22. Chapter 20
  23. Chapter 21
  24. Chapter 22
  25. Chapter 23
  26. Chapter 24
  27. Chapter 25
  28. Chapter 26
  29. Chapter 27
  30. Chapter 28
  31. Chapter 29
  32. Chapter 30
  33. Chapter 31
  34. Chapter 32
  35. Dear Reader
  36. Acknowledgments
  37. Also by Jenya Keefe
  38. About the Author
  39. More like this

“There are speakers in most of the rooms,” said Oberon, picking up a tablet and tapping the touch screen. His hands were long and weird, but graceful as they moved across the screen. “Very good ones. You can listen to music wherever you are. Here.”

He handed Ángel the tablet, which showed a list of pieces of music.

Ángel sat cross-legged on the white rug, his interest engaged despite himself. “You have a lot of stuff,” he said, scrolling. The list seemed endless.

“This is one of the projects I’m working on,” said Oberon. “I’m sending Earth music back to the Otherworld, along with transcriptions and annotations about the historical and cultural context of each piece.” He leaned over Ángel’s shoulder, causing chills to skitter up Ángel’s spine; Ángel kept his eyes on the screen.

Everyone knew that the elf-lord sent information back to the Otherworld—but how? And why music?

“You see,” continued the fae, “the ones with the yellow dots are the ones I’ve decided to send.”

“What’s the blue dot mean?”

“It means I’ve listened to them, but I’m not sending them. Red means I haven’t decided.”

“So no dot means you haven’t listened to it yet?”

“That’s right.”

Ángel thumbed through the endless list. Oberon was a musician himself, of course. But while he had played Chopin at the White House that one time, Ángel had never pictured him listening to human music.

No surprise Oberon hadn’t gotten to it all—there was so much music on here, in every possible form and genre: symphonies, operas, chamber music, folk music, dances, country, jazz, pop, rock. Fascinated, Ángel scanned the enormous collection, trying to find any organizational principle or logical pattern. Blue dots for the Violent Femmes and Anton Bruckner. Yellow dots for Bob Marley, Richard Strauss, Thelonious Monk.

He tapped on a muezzin’s call to prayer, which also featured a yellow dot, and a clear, rippling skein of song filled the room from hidden speakers. For all the room’s ghastly decor, the acoustics were indeed excellent.

“Nice,” said Ángel, when the last echoes had faded.

“I think so too,” said Oberon.

“But why do this? Your people are interested in our music?”

“Yes.”

“Why? I’ve heard your music. It’s completely different from ours.”

“It is the same in many ways. And the differences are interesting, don’t you think?”

“So you really like it? You’re not just . . . just studying it? Studying us?”

Oberon paused. Ángel kept his eyes on the tablet, afraid to look at him. After a moment, the fae said, “I have studied music my whole life. I would not do so if I didn’t like it. We are a musical people.”