Back The Mourning Necklace
Chapters (48)
  1. Cover
  2. Kate Foster
  3. Dedication page
  4. Public Notice
  5. PART ONE
  6. Chapter One
  7. Chapter Two
  8. Chapter Three
  9. PART TWO
  10. Chapter Four
  11. Chapter Five
  12. Chapter Six
  13. Chapter Seven
  14. Chapter Eight
  15. Chapter Nine
  16. Chapter Ten
  17. Chapter Eleven
  18. Chapter Twelve
  19. Chapter Thirteen
  20. Chapter Fourteen
  21. Chapter Fifteen
  22. Chapter Sixteen
  23. Chapter Seventeen
  24. Chapter Eighteen
  25. Chapter Nineteen
  26. Chapter Twenty
  27. Chapter Twenty-One
  28. Chapter Twenty-Two
  29. PART THREE
  30. Chapter Twenty-Three
  31. Chapter Twenty-Four
  32. Chapter Twenty-Five
  33. Chapter Twenty-Six
  34. Chapter Twenty-Seven
  35. Chapter Twenty-Eight
  36. Chapter Twenty-Nine
  37. Chapter Thirty
  38. Chapter Thirty-One
  39. Chapter Thirty-Two
  40. Chapter Thirty-Three
  41. Chapter Thirty-Four
  42. Chapter Thirty-Five
  43. Chapter Thirty-Six
  44. EPILOGUE
  45. HISTORICAL NOTE
  46. ACKNOWLEDGEMENTS
  47. About the Author
  48. Also by Kate Foster

‘What was the hanging like?’ she asks. ‘I was not there on Hanging Day, for I stay away from that side of town. If I was caught working up there, I’d be put in the tolbooth for whoring.’ She mouths the word ‘whoring’ as though it were a secret between the two of us, when in fact we are in the midst of the Greyfriars whores right now. ‘We night-blooms are safer down here. But what was it like? What did you think, when you were standing there on the gallows, my dear?’

I have answered this question day after day after day for pennies, and I lost my temper and my sensibilities when the fishwives started. But for Dorothy I give the real answer. She is a woman who will not see old bones, after all.

‘I thought I would shit my drawers in front of all Edinburgh town,’ I tell her.

She roars with laughter. I knew she would.

‘Show me your rope-mark,’ she says. ‘They say it is a belter.’

I loosen my kerchief and she puts her fingers to it. They are warm and gentle. I do not mind it at all.

‘Oh,’ she responds, ‘it is red like garnet. It will slim down soon to a silvery mark, I think. It will not look like a rope-burn for ever. One day it will look like a simple line. A jewel, my dear – a mourning necklace. For your dear departed babe. We all have them, you know, we women who have carried a babe in our womb that has not had the chance to live, or that we could not give the chance of life to. We all wear our own mourning necklaces. Some more apparent than others.’

I bite my lip. I had not thought of it like that. I had not thought my rope-burn was ever about anything but me. But it is not just about me. It is about the baby, and the loss of her. For the flutters and the kicks she gave me, all still now. She is long gone. But we are linked through my rope-mark. It is the only thing of hers I have left. They said I would swing for the crime, and I did. Now I wear the rope-mark like a mourning necklace.

Time passes well enough in an Edinburgh coffee house, but Dorothy is so lustrous, so vivid, and her counsel so wise that she deserves a starrier night than this – we both do – so I take her to a wine shop next door, where candles twinkle on shelves and the glasses are crystal, which I have come to prefer.

‘Let’s share a bottle of French wine,’ I say. ‘Like we did in the River Inn.’