Back The Missing Years Save as PDF
Chapters (33)
  1. Cover
  2. BERKLEY TITLES BY LEXIE ELLIOTT
  3. Dedication
  4. ONE
  5. TWO
  6. THREE
  7. FOUR
  8. FIVE
  9. SIX
  10. SEVEN
  11. EIGHT
  12. NINE
  13. TEN
  14. ELEVEN
  15. TWELVE
  16. THIRTEEN
  17. FOURTEEN
  18. FIFTEEN
  19. SIXTEEN
  20. SEVENTEEN
  21. EIGHTEEN
  22. NINETEEN
  23. TWENTY
  24. TWENTY-ONE
  25. TWENTY-TWO
  26. TWENTY-THREE
  27. TWENTY-FOUR
  28. TWENTY-FIVE
  29. ACKNOWLEDGMENTS
  30. Readers Guide
  31. QUESTIONS FOR DISCUSSION
  32. ABOUT THE AUTHOR
  33. What’s next onyour reading list?

I check the time on my phone: 1:35 A.M. Abruptly I fling back the covers. There’s no use denying it: I can’t sleep. It’s too strange, being here, waiting for memories to strike at any moment. All day long I’ve been simultaneously avoiding thinking about the past and straining to find something familiar; no wonder I’m too overtired to drift off. Even while trying to sleep, part of my mind has been mulling over whether this could have been my bedroom before. I grab my dressing gown and pull it on as I leave the room. Carrie has left the door to the master bedroom open, but I know she’s in bed—I can just make out her rhythmic breathing. I stand in the hallway and listen to those peaceful breaths with a feeling of relief: that she’s comfortable enough to sleep, that with her asleep, I don’t feel her hovering around the edge of my consciousness. My eyes are adjusting to the dark and I realize she’s left the curtains open as well as the door. There’s enough moonlight that I have no need of the hallway light, even if I could remember where the switch is. The stairs are lit by the same moonlight, streaming in through the fanlight above the front door. In this silvery half-light, the house is different again, neither bright and breezy nor uneasily dark, but something . . . other. Something patient, comfortable in its own skin, authentic. I can sense that the well-worn wood of the stairs beneath my bare feet could tell many a tale, some of them presumably relevant to me. When I get to the ground floor, I don’t grope for the light switch—I like this version; I don’t want to chase it away with the glare of artificial light. Instead I wander slowly through the ground floor, trailing my fingers along the walls where the moonlight is painting them gray.