Back The Midnight Ride
Chapters (48)
  1. Cover
  2. Title
  3. Copyright
  4. Dedication
  5. Prologue
  6. Chapter One
  7. Chapter Two
  8. Chapter Three
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Chapter Seven
  13. Chapter Eight
  14. Chapter Nine
  15. Chapter Ten
  16. Chapter Eleven
  17. Chapter Twelve
  18. Chapter Thirteen
  19. Chapter Fourteen
  20. Chapter Fifteen
  21. Chapter Sixteen
  22. Chapter Seventeen
  23. Chapter Eighteen
  24. Chapter Nineteen
  25. Chapter Twenty
  26. Chapter Twenty-One
  27. Chapter Twenty-Two
  28. Chapter Twenty-Three
  29. Chapter Twenty-Four
  30. Chapter Twenty-Five
  31. Chapter Twenty-Six
  32. Chapter Twenty-Seven
  33. Chapter Twenty-Eight
  34. Chapter Twenty-Nine
  35. Chapter Thirty
  36. Chapter Thirty-One
  37. Chapter Thirty-Two
  38. Chapter Thirty-Three
  39. Chapter Thirty-Four
  40. Chapter Thirty-Five
  41. Chapter Thirty-Six
  42. Chapter Thirty-Seven
  43. Epilogue
  44. Acknowledgments
  45. Discover More
  46. About the Author
  47. Praise forThe Midnight Ride​
  48. Also by Ben Mezrich

The coroner’s office hadn’t yet determined if it was a heart attack or a stroke that had left Charles dead on the floor of his office earlier that morning. Judging from the man’s appearance—and his breath—when he’d accosted Adrian at the Warren Tavern the night before, it was obvious the poor fool had overdone it. Now he was gone, his paper unpublished, and Adrian was left with a quandary. He’d never agreed with Charles in life, but in death, as much as he tried, he found he couldn’t simply dismiss what the man had uncovered.

He stared down at the image in his hands. Like the picture Charles had included in his paper, from Hancock’s trunk, this second image was of an engraving, presumably one of Revere’s. Adrian was certain this engraving had never been seen before, and he also was fairly certain he knew where it was from.

Revere’s time capsule. Of course, the time capsule itself was well known, even outside of academic circles. Buried by Paul Revere and Samuel Adams in the cornerstone of the Massachusetts State House in 1795, the capsule had first been opened in 1855, cleaned and documented, and then reburied. But in 2015, a much more public “opening” had taken place, in the Art of the Americas Wing of the Boston Museum of Fine Arts. In front of the governor and multiple television cameras, the museum’s curator had revealed the contents of the capsule and sent them for study, gathering together a group of experts to go over each item. Most of the contents of the capsule had been much what one would have expected: newspapers of the era, in fairly good condition. Twenty-three coins of varying denominations. One of George Washington’s medals, a Seal of the Commonwealth, a title page from the Colony records. And then a final item—a silver plate, hand engraved by Paul Revere.

Although the plate seemed, of itself, unexceptional—the words engraved on it simply indicated that the cornerstone had been laid by Samuel Adams, then governor of the commonwealth—the museum had sent out a call to local Revere experts, and Charles Walker’s Harvard pedigree had placed him at the front of the line.