Back The Midnight Ride
Chapters (48)
  1. Cover
  2. Title
  3. Copyright
  4. Dedication
  5. Prologue
  6. Chapter One
  7. Chapter Two
  8. Chapter Three
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Chapter Seven
  13. Chapter Eight
  14. Chapter Nine
  15. Chapter Ten
  16. Chapter Eleven
  17. Chapter Twelve
  18. Chapter Thirteen
  19. Chapter Fourteen
  20. Chapter Fifteen
  21. Chapter Sixteen
  22. Chapter Seventeen
  23. Chapter Eighteen
  24. Chapter Nineteen
  25. Chapter Twenty
  26. Chapter Twenty-One
  27. Chapter Twenty-Two
  28. Chapter Twenty-Three
  29. Chapter Twenty-Four
  30. Chapter Twenty-Five
  31. Chapter Twenty-Six
  32. Chapter Twenty-Seven
  33. Chapter Twenty-Eight
  34. Chapter Twenty-Nine
  35. Chapter Thirty
  36. Chapter Thirty-One
  37. Chapter Thirty-Two
  38. Chapter Thirty-Three
  39. Chapter Thirty-Four
  40. Chapter Thirty-Five
  41. Chapter Thirty-Six
  42. Chapter Thirty-Seven
  43. Epilogue
  44. Acknowledgments
  45. Discover More
  46. About the Author
  47. Praise forThe Midnight Ride​
  48. Also by Ben Mezrich

As Bobby slid the box cutter down toward the final corner of his own canvas, he finally surveyed the room around them. “Off script” was an understatement. It wasn’t just the painting of the boat, and the one Richie was digging into; there were now a half dozen empty frames splayed out across the gallery, each beside a little pile of shattered glass. Some of the canvases were already rolled up and piled in a corner by the door, while others were still spread out near where they were working. Bobby didn’t have tubes to put them in, but he had plenty of tape and zip ties in his duffel bag, which was just outside the Dutch Room, in the second-floor hallway leading to the rest of the museum. Tubes would have been better—Christ only knew how much these things were actually worth—but the tape and the ties would have to do.

This wasn’t Bobby’s first art heist, though it was certainly his strangest, mainly because it wasn’t really supposed to have been an art heist at all. But he’d stolen paintings before, and he knew that art this old often went for millions. Then again, with paintings like this, it wasn’t so much about how much they were worth, it was more a question of finding someone willing to pay for them. Even the most eccentric billionaire couldn’t exactly hang a Rembrandt on his living room wall.

But a little after 1:00 a.m., dressed as a cop working a box cutter through the last few inches of the border of a four-hundred-year-old painting, Bobby didn’t concern himself with potential next steps. One of the benefits of acting on impulse was you really got to feast on the moment, and looking across the violated gallery, it was clear that Bobby and his partner had served themselves quite a buffet. Bobby actually felt bad for the feds who would undoubtedly try to piece together what was now a chaotic crime scene. To be fair, even before Bobby had deviated from the plan, none of it had really made much sense.

Case in point, the two security guards who had first let them in the side door after seeing their badges, who were now taped up and handcuffed in a boiler room three floors below. If it had been up to Bobby, he would have taken the box cutter to them first, because he was a pro, and pros didn’t leave witnesses. Then there was the amount of time they’d already spent in the museum; a quick glance at his watch told him they’d already been there an hour—an insane amount of time, though in this Bobby only had himself and his impulsive nature to blame. If he’d followed the plan, they’d have been in and out in minutes.