They stepped out of the elevator, and moved toward the art-gallery. "It used to make me so unhappy," she went on. "I tried to talk to my husband about it, but he wouldn't have it. 'I don't see why you can't be like other people,' he said - he's always repeating that to me. And what could I say?"

"Why not suggest that other people might be like you?" said the man, laughing.

"I wasn't clever enough," said she, regretfully. - "It's very hard for a woman, you know - with no one to understand. Once I went down to a settlement, to see what that was like. Do you know anything about settlements?"

"Nothing at all," said Montague.

"Well, they are people who go to live among the poor, and try to reform them. It takes a terrible lot of courage, I think. I give them money now and then, but I am never sure if it does any good. The trouble with poor people, it seems to me, is that there are so many of them."

"There are, indeed," said Montague, thinking of the vision he had seen from Oliver's racing-car.

Mrs. Winnie had seated herself upon a cushioned seat near the entrance to the darkened gallery. "I haven't been there for some time," she continued. "I've discovered something that I think appeals more to my temperament. I have rather a leaning toward the occult and the mystical, I'm afraid. Did you ever hear of the Babists?"

"No," said Montague.

"Well, that's a religious sect - from Persia, I think - and they are quite the rage. They are priests, you understand, and they give lectures, and teach you all about the immanence of the divine, and about reincarnation, and Karma, and all that. Do you believe any of those things?"

"I can't say that I know about them," said he.

"It is very beautiful and strange," added the other. "It makes you realize what a perplexing thing life is. They teach you how the universe is all one, and the soul is the only reality, and so bodily things don't matter. If I were a Babist, I believe that I could be happy, even if I had to work in a cotton-mill."

Then Mrs. Winnie rose up suddenly. "You'd rather look at the pictures, I know," she said; and she pressed a button, and a soft radiance flooded the great vaulted gallery.

"This is our chief pride in life," she said. "My husband's object has been to get one representative work of each of the great painters of the world. We got their masterpiece whenever we could. Over there in the corner are the old masters - don't you love to look at them?"