Toward morning the festivities changed to a series of wrestling-bouts; the young men stripped off their clothing and tore the table to pieces, and piled it out of the way in a corner, smashing most of the crockery in the process. Between the matches, champagne would be opened by knocking off the heads of the bottles; and this went on until four o'clock in the morning, when many of the guests were lying in heaps upon the floor.

Montague rode home in a cab with the elderly gentleman who had sat next to him; and on the way he asked if such affairs as this were common. And his companion, who was a "steel man" from the West, replied by telling him of some which he had witnessed at home. At Siegfried Harvey's theatre-party Montague had seen a popular actress in a musical comedy, which was then the most successful play running in New York. The house was sold out weeks ahead, and after the matinee you might observe the street in front of the stage-entrance blocked by people waiting to see the woman come out. She was lithe and supple, like a panther, and wore close-fitting gowns to reveal her form. It seemed that her play must have been built with one purpose in mind, to see how much lewdness could be put upon a stage without interference by the police. - And now his companion told him how this woman had been invited to sing at a banquet given by the magnates of a mighty Trust, and had gone after midnight to the most exclusive club in the town, and sung her popular ditty, "Won't you come and play with me?" The merry magnates had taken the invitation literally - with the result that the actress had escaped from the room with half her clothing torn off her. And a little while later an official of this trust had wished to get rid of his wife and marry a chorus-girl; and when public clamour had forced the directors to ask him to resign, he had replied by threatening to tell about this banquet!