Chapters (48)
- PART ONE The Door of Death
- 1. London
- 2. Jerusalem
- 3. Jerusalem
- 4. Vatican City
- 5. Vatican City
- 6. Vatican City
- 7. Rome
- 8. Venice
- 9. Jerusalem
- PART TWO Dr. Gachet’s Daughter
- 10. Ein Kerem, Jerusalem
- 11. London
- 12. Tel Megiddo, Israel
- 13. London
- 14. The Marais, Paris
- 15. The Marais, Paris
- 16. McLean, Virginia
- 17. Georgetown
- 18. London
- 19. London
- 20. London
- 21. London
- PART THREE The Night Journey
- 22. Harbor Island, Bahamas
- 23. Off the Bahamas
- 24. Gustavia, Saint-Barthélemy
- 25. Gustavia, Saint-Barthélemy
- 26. Pointe Mangin, Saint-Barthélemy
- 27. Gustavia Harbor, Saint-Barthélemy
- 28. CIA Headquarters
- 29. Off Saint Maarten
- 30. Saint Maarten
- 31. Kloten, Switzerland
- 32. Zurich
- 33. Zug, Switzerland
- 34. Canton Uri, Switzerland
- 35. Canton Uri, Switzerland
- 36. Zug, Switzerland
- 37. Vatican City
- 38. Rome
- PART FOUR The Witness
- 39. Washington
- 40. Tiberias, Israel
- 41. Paris: August
- 42. Istanbul: August
- AUTHOR’S NOTE
- ACKNOWLEDGMENTS
Julian Isherwood was a London art dealer and sometime secret servant of Israeli intelligence. The service had a long name that had very little to do with the true nature of its work. Men like Shamron and Gabriel referred to it as the Office and nothing more.
“I hope Julian is giving you fair compensation.”
“My restoration fee, plus a small commission on the sale.”
“What’s the total?”
Gabriel tapped his brush against his palette and resumed working.
“We need to talk,” Shamron said.
“So talk.”
“I’m not going to talk to your back.” Gabriel turned and peered at Shamron once more through the lenses of his magnifying visor. “And I’m not going to talk to you while you’re wearing those things. You look like something from my nightmares.”
Gabriel reluctantly set his palette on the worktable and removed his magnifying visor, revealing a pair of eyes that were a shocking shade of emerald green. He was below average in height and had the spare physique of a cyclist. His face was high at the forehead and narrow at the chin, and he had a long bony nose that looked as though it had been carved from wood. His hair was cropped short and shot with gray at the temples. It was because of Shamron that Gabriel was an art restorer and not one of the finest painters of his generation—and why his temples had turned gray virtually overnight when he was in his early twenties. Shamron had been the intelligence officer chosen by Golda Meir to hunt down and assassinate the perpetrators of the 1972 Munich Massacre, and a promising young art student named Gabriel Allon had been his primary gunman.
He spent a few moments cleaning his palette and brushes, then went into the kitchen. Shamron sat down at the small table and waited for Gabriel to turn his back before hurriedly lighting one of his foul-smelling Turkish cigarettes. Gabriel, hearing the familiar click-click of Shamron’s old Zippo lighter, pointed toward the Rubens in exasperation, but Shamron made a dismissive gesture and defiantly raised the cigarette to his lips. A comfortable silence settled between them while Gabriel poured bottled water into the teakettle and spooned coffee into the French press. Shamron was content to listen to the wind moving in the eucalyptus trees outside in the garden. Devoutly secular, he marked the passage of time not by the Jewish festivals but by the rhythms of the land—the day the rains came, the day the wildflowers exploded in the Galilee, the day the cool winds returned. Gabriel could read his thoughts. Another autumn, and we’re still here. The covenant had not been revoked.
“The prime minister wants an answer.” Shamron’s gaze still was focused on the tangled little garden. “He’s a patient man, but he won’t wait forever.”
“I told you that I’d give him an answer when I was finished with the painting.”