Back The Messenger
Chapters (48)
  1. PART ONE The Door of Death
  2. 1. London
  3. 2. Jerusalem
  4. 3. Jerusalem
  5. 4. Vatican City
  6. 5. Vatican City
  7. 6. Vatican City
  8. 7. Rome
  9. 8. Venice
  10. 9. Jerusalem
  11. PART TWO Dr. Gachet’s Daughter
  12. 10. Ein Kerem, Jerusalem
  13. 11. London
  14. 12. Tel Megiddo, Israel
  15. 13. London
  16. 14. The Marais, Paris
  17. 15. The Marais, Paris
  18. 16. McLean, Virginia
  19. 17. Georgetown
  20. 18. London
  21. 19. London
  22. 20. London
  23. 21. London
  24. PART THREE The Night Journey
  25. 22. Harbor Island, Bahamas
  26. 23. Off the Bahamas
  27. 24. Gustavia, Saint-Barthélemy
  28. 25. Gustavia, Saint-Barthélemy
  29. 26. Pointe Mangin, Saint-Barthélemy
  30. 27. Gustavia Harbor, Saint-Barthélemy
  31. 28. CIA Headquarters
  32. 29. Off Saint Maarten
  33. 30. Saint Maarten
  34. 31. Kloten, Switzerland
  35. 32. Zurich
  36. 33. Zug, Switzerland
  37. 34. Canton Uri, Switzerland
  38. 35. Canton Uri, Switzerland
  39. 36. Zug, Switzerland
  40. 37. Vatican City
  41. 38. Rome
  42. PART FOUR The Witness
  43. 39. Washington
  44. 40. Tiberias, Israel
  45. 41. Paris: August
  46. 42. Istanbul: August
  47. AUTHOR’S NOTE
  48. ACKNOWLEDGMENTS

Julian Isherwood was a London art dealer and sometime secret servant of Israeli intelligence. The service had a long name that had very little to do with the true nature of its work. Men like Shamron and Gabriel referred to it as the Office and nothing more.

“I hope Julian is giving you fair compensation.”

“My restoration fee, plus a small commission on the sale.”

“What’s the total?”

Gabriel tapped his brush against his palette and resumed working.

“We need to talk,” Shamron said.

“So talk.”

“I’m not going to talk to your back.” Gabriel turned and peered at Shamron once more through the lenses of his magnifying visor. “And I’m not going to talk to you while you’re wearing those things. You look like something from my nightmares.”

Gabriel reluctantly set his palette on the worktable and removed his magnifying visor, revealing a pair of eyes that were a shocking shade of emerald green. He was below average in height and had the spare physique of a cyclist. His face was high at the forehead and narrow at the chin, and he had a long bony nose that looked as though it had been carved from wood. His hair was cropped short and shot with gray at the temples. It was because of Shamron that Gabriel was an art restorer and not one of the finest painters of his generation—and why his temples had turned gray virtually overnight when he was in his early twenties. Shamron had been the intelligence officer chosen by Golda Meir to hunt down and assassinate the perpetrators of the 1972 Munich Massacre, and a promising young art student named Gabriel Allon had been his primary gunman.

He spent a few moments cleaning his palette and brushes, then went into the kitchen. Shamron sat down at the small table and waited for Gabriel to turn his back before hurriedly lighting one of his foul-smelling Turkish cigarettes. Gabriel, hearing the familiar click-click of Shamron’s old Zippo lighter, pointed toward the Rubens in exasperation, but Shamron made a dismissive gesture and defiantly raised the cigarette to his lips. A comfortable silence settled between them while Gabriel poured bottled water into the teakettle and spooned coffee into the French press. Shamron was content to listen to the wind moving in the eucalyptus trees outside in the garden. Devoutly secular, he marked the passage of time not by the Jewish festivals but by the rhythms of the land—the day the rains came, the day the wildflowers exploded in the Galilee, the day the cool winds returned. Gabriel could read his thoughts. Another autumn, and we’re still here. The covenant had not been revoked.

“The prime minister wants an answer.” Shamron’s gaze still was focused on the tangled little garden. “He’s a patient man, but he won’t wait forever.”

“I told you that I’d give him an answer when I was finished with the painting.”