The Marriage Clock
Contents (42)
- Dedication
- Epigraph
- Contents
- A Bollywood State of Mind
- Arrange This
- Never Say Never
- The Marriage Clock
- Set in Motion
- Mr. Bollywood
- Matchmaker, Matchmaker
- Cyber Suitor
- Mr. Catfish
- Mr. Smoky
- Mr. Busybody
- Ambushed
- Speed Dating
- Summer Lovin’
- Take Two
- Ghosted
- Family Dinner
- Departure
- Motherland
- Family Reunion
- Meena
- Seeing Double
- Mehendi Nights
- An Unexpected Hero
- Guilt Trip
- Sari Not Sorry
- Bombshell
- Revelations
- Deadline
- Prayers Answered
- Final Toast
- Acknowledgments
- P.S. Insights, Interviews & More . . .*
- About the Author
- Meet Zara Raheem
- About the Book
- The Inspiration Behind The Marriage Clock
- Copyright
- About the Publisher


Dedication
Dedicated to every woman who’s ever been told she wasn’t enough.
Epigraph
She hasn’t a single moon
to worship her
or to cloud her judgment.
She is alone.
And oh
how brilliantly she shines.
—FROM “VENUS” BY NIKITA GILL
Contents
Cover
Title Page
Dedication
Epigraph
A Bollywood State of Mind
Arrange This
Never Say Never
The Marriage Clock
Set in Motion
Mr. Bollywood
Matchmaker, Matchmaker
Cyber Suitor
Mr. Catfish
Mr. Smoky
Mr. Busybody
Ambushed
Speed Dating
Summer Lovin’
Take Two
Ghosted
Family Dinner
Departure
Motherland
Family Reunion
Meena
Seeing Double
Mehendi Nights
An Unexpected Hero
Guilt Trip
Sari Not Sorry
Bombshell
Revelations
Deadline
Prayers Answered
Final Toast
Acknowledgments
P.S. Insights, Interviews & More . . .*
About the Author
About the Book
Copyright
About the Publisher
A Bollywood State of Mind
As a young girl, when I thought about life in my mid-twenties, I envisioned a glamorous profession like being a principal dancer for a prestigious New York ballet company, living in a fabulous penthouse apartment overlooking a city skyline, and being married to a tall, dark, and mysterious musician whose beautifully written love songs were the inner soundtrack to my beating heart. If I had known that my mid-twenties would actually consist of a less-than-desirable career working as an underpaid English teacher, a modest-sized room in my parents’ suburban home, and a total sense of ambivalence regarding the notion of love, I probably would have signed up for someone else’s life.
Growing up in a semitraditional Muslim household, I believed in love wholeheartedly. Love, after all, was Shah Jahan’s inspiration for the Taj Mahal. Love was the underlying theme in every Urdu ghazal or shayari ever written. Love was the reason my mother left behind her entire life in India to start afresh with my father—a man she barely knew—in America. Love was the sole reason the world turned; why bluebirds sang and fireworks shot into the warm summer sky. It was not just an idea; it was something tangible—felt within my grasp. A whimsical notion looming in the distant future, anxiously waiting to be discovered, like a present still wrapped.
My years of dissecting on-screen Bollywood romances provided me with enough insight to know exactly what to look for when it would finally happen. I was desperately waiting for that random run-in with a total stranger with unbelievably good hair with whom I could slow-motion run through a meadow as we dramatically proclaimed our love for each other through nonsensical lyrical metaphors and perfectly synchronized dance routines—with multiple colorful outfit changes. In my mind, that was what was supposed to happen. You meet someone, fall in love (in the aforementioned fashion), get married, and live happily ever after. Unfortunately, the screenplay written for my life was not quite as predictable as I had hoped. There were no meadows in close proximity to Los Angeles, and my lack of coordination limited my dance moves to the Robot and the Inebriated Baby. The only random run-ins I had were with nosy South Asian aunties inquiring about my marital status. Finally, after twenty-two delusional years and a brief yet eye-opening conversation with my college roommate, I was temporarily plucked out of my Bollywood fantasy and brought back to harsh reality.