Back The Marlow Murder Club
Chapters (49)
  1. Cover
  2. Praise for Robert Thorogood
  3. About the Author
  4. Also by Robert Thorogood
  5. Note to Readers
  6. Dedication
  7. Chapter 1
  8. Chapter 2
  9. Chapter 3
  10. Chapter 4
  11. Chapter 5
  12. Chapter 6
  13. Chapter 7
  14. Chapter 8
  15. Chapter 9
  16. Chapter 10
  17. Chapter 11
  18. Chapter 12
  19. Chapter 13
  20. Chapter 14
  21. Chapter 15
  22. Chapter 16
  23. Chapter 17
  24. Chapter 18
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. Chapter 29
  36. Chapter 30
  37. Chapter 31
  38. Chapter 32
  39. Chapter 33
  40. Chapter 34
  41. Chapter 35
  42. Chapter 36
  43. Chapter 37
  44. Chapter 38
  45. Chapter 39
  46. Acknowledgements
  47. Extract
  48. Prologue
  49. About the Publisher

‘Of course!’ Becks said, stepping back and looking at the other paintings hanging on the wall. ‘All the pictures in the room have frames, but this is the only one that doesn’t.’

‘Bingo!’ Judith said.

Becks leant in closer to look at the edges of the frameless painting.

‘And if you look closely,’ she said, like a doctor describing a particularly fascinating X-ray, ‘you can see how the wall is a darker colour around the painting. Where a frame has been stopping any sunlight from bleaching the paint on the wall.’

‘Okay that’s thorough,’ DS Malik said.

‘So this picture’s lost its frame very recently,’ Judith said, thinking the chain of events through for all of them. ‘Which explains the chisel, hammer and wood shavings on the desk over there. Don’t you think? The intruder broke in and was removing the frame from the painting when I interrupted him.’

‘Was he holding anything like a picture frame in his hand when he attacked you?’ DS Malik asked.

‘I couldn’t see,’ Judith said, frustrated. ‘It was too dark.’

‘Or maybe you noticed something in his hands as he fled?’

‘I’m sorry, I’d dropped to the floor by then. I didn’t see anything in his hands.’

‘But it makes no sense!’ Becks blurted. ‘The art in this room must be worth hundreds of thousands of pounds. Maybe millions. Who’d break in, ignore everything else and instead make off with a picture frame?’

Judith peered at the painting, and at the space where the frame had been. She then took a step back and looked at all of the paintings in the room.

‘It’s like a crossword clue,’ she said.

‘I’m sorry?’ Becks said, frowning.

‘A crossword clue never makes any sense when you read the surface meaning, but that’s because you haven’t decoded it yet.’

‘I don’t follow,’ DS Malik said.

‘Each cryptic crossword clue is made up of two parts. Generally. One half of the clue is the wordplay, and the other half is the basic definition. Unless it’s the sort of clue where the whole thing is both the wordplay and the definition. But let’s not get bogged down. The point being, when you know how to decode the clue, it makes perfect sense. But until that point, the clue appears nonsensical. Take “Two girls, one on each knee”, seven letters.’

‘Take what?’ Becks asked, struggling to keep up with Judith’s logic.

‘“Two girls, one on each knee”.’

‘Why?’

‘Not literally, just take the clue.’

‘What clue?’

‘“Two girls, one on each knee”.’

‘I have to be honest, I’m not really following this.’

‘It couldn’t be any simpler! “Two girls, one on each knee” is about the most famous crossword clue there’s ever been. Compiled by a splendid setter called Roger Squires. It was his two millionth clue. Imagine that!’