The inside of the trailer was nicer. He kept it up, even though he lived alone, and it wasn’t bad, if he did say so himself. He tossed his shades on the front table and went into the kitchen, grabbing a beer from the fridge. He popped open the tab, took a swig, and glanced at the return addresses on the envelopes in his hand: his mother, the Classic Mustang Club, his paycheck from the district.

One piece of mail, a long yellowish envelope, had no return address at all, and he turned it over in his hand. Both the front and back were covered with smeared brownish red fingerprints. Frowning, he put down his beer and tore the envelope open. Inside were two photographs paper-clipped together. The top one showed a nude Oriental girl of fifteen or sixteen lying on a flat straw mat. He stared at the picture. The girl was beautiful, with large almond-shaped eyes and a full sensuous mouth. She was spread-eagled, legs in the air, the dark folds of her vagina clearly visible through her sparse black pubic hair.

He unfastened the paper clip. The bottom photo showed the same teenage Oriental girl on the same straw mat.

But her head had been cut off and placed on top of her stomach.

On the photo were the same smudged brownish red fingerprints as on the envelope.

He felt suddenly sick to his stomach. Against his will, he had been aroused by the first picture of the girl. She was young, but she was gorgeous and her body looked luscious, inviting. But the second photo was like a punch to the gut. He closed his eyes, turning the picture over so he wouldn’t have to look at it, but he could still see in his mind the girl’s dead staring eyes and round-O mouth, the twisted veins and tubes protruding like spaghetti from her open throat, and the puddle, no, pool of blood spreading outward from her neck across the mat.

Who would have sent him such a thing? Who could have sent him such a thing? And why?

And what about those fingerprints?