Back The Magos
Chapters (51)
  1. Suggested Reading Order
  2. Title Page
  3. Warhammer 40,000
  4. Introduction
  5. PESTILENCE
  6. MASTER IMUS’ TRANSGRESSION
  7. REGIA OCCULTA
  8. MISSING IN ACTION
  9. BACKCLOTH FOR A CROWN ADDITIONAL
  10. THE STRANGE DEMISE OF TITUS ENDOR
  11. THE CURIOSITY
  12. PLAYING PATIENCE
  13. THORN WISHES TALON
  14. GARDENS OF TYCHO
  15. THE KEELER IMAGE
  16. PERIHELION
  17. THE MAGOS
  18. One
  19. Two
  20. Three
  21. Four
  22. Five
  23. Six
  24. Seven
  25. Eight
  26. Nine
  27. Ten
  28. Eleven
  29. Twelve
  30. Thirteen
  31. Fourteen
  32. Fifteen
  33. Sixteen
  34. Seventeen
  35. Eighteen
  36. Nineteen
  37. Twenty
  38. Twenty-One
  39. Twenty-Two
  40. Twenty-Three
  41. Twenty-Four
  42. Twenty-Five
  43. Twenty-Six
  44. Twenty-Seven
  45. Twenty-Eight
  46. Twenty-Nine
  47. Thirty
  48. Chronology
  49. About the Author
  50. A Black Library Publication
  51. Cover

He took another few drinks, and then he saw her, the girl, the slender dancer. She was standing at the mirror-plated bar, smoking a lho-stick and contemplating her dance card. He hadn’t recognised her at first, because she was wearing a leopardskin cloche and cape, and a gold dress, and had changed her makeup from the fierce white of the ballet. But her posture took his eye, the balance of her legs, the confidence in the set of her head, and he realised who he was looking at.

He introduced himself, and offered to buy her a drink. She regarded him distantly, and then asked his name. Her accent was thick.

‘Titus,’ he replied.

She marked it on her card. ‘The fifth tune from now, Master Titus,’ she said, adding, ‘amasec on ice.’ Then she walked away, and took the embrace of a noncom for the next dance.

He was perplexed, until he saw the way of it. Most of the women in the bar were dancers from the Theatricala. They supplemented their wages by partner-dancing at the zendov bars, efficiently exploiting Karoscura’s paucity of female companionship. No wonder the clubs were popular. No wonder the clubs paid the girls well for after-hours dancing. They brought the men in, men so hungry for a five-minute intimacy with a woman while the music played, they’d stay all night, waiting their turn, and drink well in the meantime.

When his turn came, she found him at the bar.

‘Master Titus?’

‘What’s your name?’ he asked as she led him onto the dance floor.

She seemed surprised that he should care.

‘Mira,’ she replied.

The music began. Endor had watched the dancers closely, and had learned the steps. His mind worked that way. He took her in a close hold, and turned her about the floor, between other dancing couples. Glittering glow-globes rotated above them, casting down a blizzard of light like snowflakes.

She was close to him, taut, radiating heat. He felt how hard and sinewy her body was, how rigid. She was tiny, but all muscle. She smelled of cologne, but it did not mask the heat of her, or the residue of old ballet makeup, hastily removed, or the slight odour of sweat. She had come straight from the Theatricala, probably changing in a backroom in a hurry.

Sweat, hard limbs, the stale aroma of lho-sticks. He found it intoxicating. Pulled close to her, he noticed she had an old scar along the nape of her neck, just below the hairline.

The tune ended.

‘Thank you, Mira,’ he bowed. ‘Your amasec awaits at the bar.’

‘My card is full. I will come over later.’

He looked disappointed.

‘Where did you learn to dance?’ she asked.

‘Tonight. Here.’

She scowled. ‘I don’t like liars. No one learns to zendov in an evening.’

‘I’m not lying. I watched and learned.’

She narrowed her eyes. They were hard eyes, in a hard face.