Identical pints stood in front of the others. It was late afternoon, five thirty or so, Quentin guessed, though how could you know? Were there even twenty-four hours in a day here? Why would there be? Despite Penny’s insistence that the tree had been “leading” them here, it was pretty clear they would have found the inn on their own. It was a dark, low-roofed log cabin with a sign outside featuring two crescent moons; a delicate little clockwork mechanism caused the two moons to revolve around each other when the wind blew. The cabin was backed up against, and appeared almost to emerge from, a low hillock that humped up out of the forest floor.

Cautiously pushing inside, through swinging doors, they discovered what could have passed for a period room in a museum of Colonial America: a long narrow chamber with a bar against one wall. It reminded Quentin of the Historick Olde Innes he’d wandered through when he was visiting his parents in Chesterton.

Only one other booth was occupied, by a family(?)—a tall, white-haired old man; a high-cheekboned woman who might have been in her thirties; and a serious little girl. Obviously locals. They sat perfectly silent and erect, staring balefully at the empty cups and saucers in front of them. The little girl’s hooded eyes expressed a precocious acquaintance with adversity.

The walking birch tree had disappeared, presumably into a back room. The bartender wore a curious old-fashioned uniform, black with many brass buttons, something like what an Edwardian policeman might have worn. He had a narrow, bored face and heavy black five o’clock shadow, and he slowly polished pint glasses with a white cloth in the manner of bartenders since time immemorial. Otherwise the room was empty, except for a large brown bear wearing a waistcoat sitting slumped in a sturdy armchair in one corner. It wasn’t clear whether the bear was conscious or not.

Richard had brought along several dozen small gold cylinders in the hope that they would work as a kind of universal interdimensional currency. The bartender accepted one without comment, weighed it expertly in his palm, and returned a handful of change: four dented, wobbly coins stamped with an assortment of faces and animals. Two of them bore mottos in two different unreadable scripts; the third was a well-worn Mexican peso from the year 1936; the fourth turned out to be a plastic marker from a board game called Sorry. He set about filling pewter tankards.

Josh stared into his dubiously and took a fastidious sniff. He was as fidgety as a third-grader.

“Just drink it!” Quentin hissed irritably. God, people were such losers sometimes. He lifted his own tankard. “Cheers.”