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Chapters (36)
  1. Cover
  2. Also by Lev Grossman
  3. Dedication
  4. Epigraph
  5. Map
  6. CHAPTER 1
  7. CHAPTER 2
  8. CHAPTER 3
  9. CHAPTER 4
  10. CHAPTER 5
  11. CHAPTER 6
  12. CHAPTER 7
  13. CHAPTER 8
  14. CHAPTER 9
  15. CHAPTER 10
  16. CHAPTER 11
  17. CHAPTER 12
  18. CHAPTER 13
  19. CHAPTER 14
  20. CHAPTER 15
  21. CHAPTER 16
  22. CHAPTER 17
  23. CHAPTER 18
  24. CHAPTER 19
  25. CHAPTER 20
  26. CHAPTER 21
  27. CHAPTER 22
  28. CHAPTER 23
  29. CHAPTER 24
  30. CHAPTER 25
  31. CHAPTER 26
  32. CHAPTER 27
  33. CHAPTER 28
  34. CHAPTER 29
  35. CHAPTER 30
  36. CHAPTER 31

Though there was no chance that their champion was actually going to kill the Fillorian champion, Eliot’s champion. Because Eliot’s champion was Eliot.

There had been some debate, when the idea was first mooted, about whether it made sense to send the High King of Fillory into single combat with the handpicked designated hitter of the invading Lorian army. But it rapidly became clear that Eliot was set on it, though his reasons were as much personal as they were tactical. He had begun his stint as High King in a rather decadent vein—louche, you might even say. But as his reign lengthened he had grown into the role, and become more serious about it, and it was time he showed everybody—himself included—how serious he was. Kingship was not an affectation, it was who he was. Very publicly, very literally, he was going to put some skin in the game.

He stepped forward from the front rank of his army, who, predictably but gratifyingly, also went nuts. Eliot smiled—his smile was twisted by his uneven jaw, but his happiness was the real stuff. His heart was in it.

The sound of the king’s regiment of the Fillorian army cheering was unlike anything else in the known universe. You had men and women shouting and banging their weapons together, good enough, but then you had a whole orchestra of nonhuman sounds going on around it. At the top end you had some fairies squeeing at supersonic pitches; fairies thought all this military stuff was pretty silly, but they went along with it for the same reason that fairies ever did anything, namely, for the lulz. Then you had bats squeaking, birds squawking, bears roaring, wolves howling, and anything with a horse-head whinnying: pegasi, unicorns, regular talking horses.

Griffins and hippogriffs squawked too, but lower—baritone squawking, a horrible noise. Minotaurs bellowed. Stuff with humans heads yelled. Of all the mythical creatures of Fillory, they were the only ones who still creeped Eliot out. The satyrs and dryads and such were cool, but there were a couple of manticores and sphinxes who were just uncanny as hell.

And so on down the line till you got to the bass notes, which were provided by the giants grunting and stomping their feet. It was silly really: he could have picked a giant as his champion, and then this thing would have been over in about ten seconds flat, pun intended. But that wouldn’t have sent the same message.