Now they’d drifted so far apart that the silver thread connecting them had simply snapped. If he had a home anywhere, it wasn’t here.

He took a deep breath, closed his eyes, and chanted four long, low syllables under his breath while at the same time making a big circle with his left hand. The rain began sheeting off an invisible lens over his head, and he felt, if not dryer, then at least that he had taken the first step on the long and arduous path to dryness.

Then he walked away down the wide wet suburban sidewalk. He was out of Fillory, and he wasn’t a king anymore. It was time to start living his damn life like everybody else. Better late than never. Quentin walked half an hour to the center of Chesterton, caught a bus from there to Alewife, took a subway to South Station, and got on a Greyhound bus bound for Newburgh, New York, north of Manhattan on the Hudson River, which was the closest you could get to Brakebills via public transportation.

Coming back was easier this time. Last time he’d been with Julia, and he’d been panicked and desperate. This time he was in no particular hurry, and he knew exactly what he needed: to be somewhere safe and familiar, where he had something to do, where people knew magic and knew him. What he needed was a job.

He stayed at the same motel as last time, then took a taxi to the same bend in the road and picked his way in through the damp forest from there. It had rained here too, and every twig and branch he brushed soaked him all over again with cold water. He didn’t bother with any fancy visualization spells this time. He figured they would see him, and that when they did they would know him for what he was.

He was right. Quentin spotted it a long way off through the trees: just a stray patch of sunlight on an otherwise overcast day. As he got closer it resolved itself into an oval of lighter, brighter air hanging there among the wet branches. The oval framed a woman’s disembodied head and shoulders, like a cameo in a locket. She was fortyish, with almond-shaped eyes, and though he didn’t recognize her she had the unmistakably alert air of a fellow practitioner.

“Hi,” Quentin said, when he was close enough that he didn’t have to shout. “I’m Quentin.”

“I know,” she said. “You coming in?”

“Thanks.”

She did something, made a small gesture somewhere out of view, and the portrait went full-length. She was standing in an archway of summer light and grass carved out of the gloomy autumn forest. She stood aside to let him pass.