Patrick Farrell looked over his shoulder at the three bodies in the back of the gondola. Bits of glass were still falling from the window frame and wind was roaring through. “Oh sweet Jesus, now what the fuck do we do?” His hands were trembling on the controls. “Matthew, what do we do?”

Bailey was also shaking, his eyes darting around like a trapped rat looking for a way out. He peered down at the waters of the inner harbour. “How far could we jump?” he asked.

“Not this far, that’s for sure,” replied Farrell.

“What if we go lower? They’re above us, they might not see us jump.”

“Matthew, we’re five hundred feet up.”

“So like I said, go lower.”

“If we go lower they’ll go lower. They’ll be radioing to the cops right now.”

Bailey looked over at Farrell. “Have you got a better idea?”

“Tell them we give up. We haven’t done anything, it was Lovell who fired the shots. He brought the chopper down.”

“Fuck you, Farrell. You think they’ll let us go just because our fingers weren’t on the trigger?”

Before Farrell could reply one of the Hueys began to descend in a slow hover, about six hundred yards to their right. In the open cargo doorway they saw a SWAT sniper, his rifle at the ready.

“Take us down,” hissed Bailey, then he removed his headset and hung it up. He twisted out of his seat and looked around for Lovell’s rifle. It was still in the dead man’s grasp and the sniper had fallen on top of it. Farrell rotated the wheel forward and the airship dipped down. The bodies shifted as if they were still alive and a river of thick, treacly blood flowed across the floor towards Bailey’s knee.

Some sixth sense made Bailey turn around. His mouth dropped. A man was rushing towards him through the air, his knees up and his feet forward, a submachine gun in his hands. Bailey began to scream. He saw Lovell’s handgun lying in the bag on the floor and he grabbed for it, bringing it up with both hands. He pulled the trigger, screaming all the while.

The pilot of the Huey flared the rotor blades, bringing the helicopter to almost a dead stop in the air and swinging Cole Howard forward on the end of the wire. Howard braced himself for the impact as he surged forward towards the door of the gondola. He saw another man with a handgun and Howard pulled the trigger of the Uzi, sending a stream of bullets blasting across the gondola. As the Uzi kicked in his hands he felt a lancing pain in his shoulder. What little glass there was remaining was shattered and the door was peppered with holes. The man with the gun disappeared and Howard let the Uzi hang on its sling so that his hands were free.