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Contents ( 24)
  1. THE LIVING AND THE DEAD
  2. Part One
  3. 1
  4. 2
  5. 3
  6. 4
  7. 5
  8. 6
  9. 7
  10. Part Two
  11. 8
  12. 9
  13. 10
  14. 11
  15. 12
  16. 13
  17. 14
  18. 15
  19. 16
  20. 17
  21. 18
  22. 19
  23. 20
  24. 21

Mornings he read the paper over coffee. He shut himself in his room and worked. Outside were the house sounds, the flap of the duster, the rumble of a cistern, the creaking basket that delivered the groceries. These were no longer irritating, not like the times he ground his fists against his ears to make for himself a layer of silence against the outer world. Either you began to accept the insignificance of your own activities inside a larger pattern, or it was just plain indifference. Or not this. Indifference implied an end, and this was a period of waiting. You could feel the waiting. For a cataclysm perhaps. All round you there was pointed evidence of your own anachronistic activity. But of temporary anachronism. Like the lived moments that were gathered together again in sleep, into one vast anachronism of behaviour. It was also, in a way, a summing up, but without the finality of this. There is always the prospect of morning.

Elyot Standish failed to make much headway against a spring morning. It was the presence of a sky for the first time in months. And the sounds that you heard, or a sudden awareness of sound, of circulation renewed in the street. Against all this, the muted existence of the house. It struck a dead note that belonged to the sequence of your own perplexities, that you wanted to ignore, or the dead chalkiness of a face looming for the first time. He went downstairs. The other side of a door a cough, raucous from too many cigarettes, suggested what he would find, the ash, the tea stains on the sheet. Indifference implied an end, implied a face, which he realized for the first time was his mother’s face, or what remained of it under the custom of powder and rouge. But midday made no bow to custom, became the suggestion of a face through smoke, the eyes half-doze, half-flicker, that wondered if the telephone.

He walked softly past a door.

Julia, he called. Don’t wait lunch.

From the kitchen an answering of pans.

Julia? he said.

The door stood open in a steam from pans.

I probably shan’t want – he said.

Julia, prodding into a pan, was the sullen, closed face that reflects the more secret events in the lives of servants. The life of Julia lay open, it had for years, it had become part of the composite life lived under the same roof. But there were also the secrecies. Her face was swollen red with them. It made you respect, without comment, whatever you weren’t meant to see.

Yes, she said, not looking. All right, she said. I heard.

She could not concentrate enough on the contents of a pan looking for some answer perhaps, a steamy kitchen oracle.