Back The Lion and the Rose
Chapters (31)
  1. Cover
  2. Praise
  3. Books by Kate Quinn
  4. Dedication
  5. Dedication
  6. PROLOGUE
  7. PART ONE
  8. CHAPTER ONE
  9. CHAPTER TWO
  10. CHAPTER THREE
  11. CHAPTER FOUR
  12. CHAPTER FIVE
  13. PART TWO
  14. CHAPTER SIX
  15. CHAPTER SEVEN
  16. CHAPTER EIGHT
  17. CHAPTER NINE
  18. CHAPTER TEN
  19. CHAPTER ELEVEN
  20. PART THREE
  21. CHAPTER TWELVE
  22. CHAPTER THIRTEEN
  23. CHAPTER FOURTEEN
  24. CHAPTER FIFTEEN
  25. CHAPTER SIXTEEN
  26. CHAPTER SEVENTEEN
  27. Historical Note
  28. Characters
  29. Readers Guide
  30. Discussion Questions
  31. Special Excerpt from LADY OF THE ETERNAL CITY

He turned to put Gerolama’s vases back in their niches, and when he turned back I saw his eyes were glass-cool and he was done with the subject. “Maestro Botticelli’s painting of you,” he said, all business. “You did promise him you would complete your sittings while you were here in Florence.”

I made a face, grateful for the change in conversation. “I suppose if I string the sittings out, I’ll earn another few weeks here. If I want them.”

Laura was still looking hurt, and Leonello tweaked her nose in apology for snapping at her. “You’ve been putting it off, Madonna Giulia. Sitting for your painting.”

“I don’t want to do it,” I said simply.

My bodyguard regarded me, head tilted. He hadn’t spoken of the day I’d posed naked and cold in the papal apartments surrounded by leering men, and I hadn’t either. I wondered if Leonello would say something cutting and careless about it—we called ourselves friends by now, but that had never stopped him in the past from carving me up with his viper’s tongue if he was in the mood, and he was certainly in the mood now after the way I’d probed him. But his voice wasn’t mocking at all when he spoke. “If it’s any consolation,” he said instead, “you carried it off rather splendidly.”

But oh, going to Mass that first Sunday after my portrait-sitting had been agony! I was used to being stared at as I took Communion at the Basilica San Pietro—mostly it was the women who stared, craning their necks to see if my sleeves were cut in the French fashion or the Neapolitan, or if my collar was lace or marten fur. That particular Sunday it had been the men staring, trading the latest rumors in a hot whisper about how I’d stripped naked before the entire College of Cardinals and posed on my hands and knees as the Mary Magdalene, or with my legs spread and an apple in my hand as Eve. What a great many whispers had flown through Rome in just a few short days. I’d closed my eyes, cheeks burning as I opened my mouth for the Holy Wafer, and I heard one of the altar boys whisper to the other, “Do you think she goes on her knees and opens her mouth like that for the Holy Father?”

How was I supposed to carry that off splendidly?

Leonello was still looking at me, thoughtful. “Will you refuse to finish Maestro Botticelli’s portrait then, Madonna Giulia?”