Peter was Elvis-daft. All the newspapers and magazines were full of him in those days. It was hard to miss the man, or the music. Everything back then, in the years after the war, had to be American, and before we started saving up for the tattoo, we used to go to the Manhattan Cafe next door to the Monseigneur News Theatre. It was long and narrow, with booths that you slid into, like an American diner. The walls were lined by mirrors etched with New York skylines. Considering how we spent the other six days of the week, it was like escape to paradise. A tantalising glimpse of how life might have been. A coffee or a Coke would use up all our cash, but we would make it last and sit listening to Elvis belting out on the jukebox.

Heartbreak Hotel. It conjured up such romantic images. New York city streets, flashing neon lights, steam rising from manhole covers. That slow walking bass, the jazz piano tinkling away in the background. And that moody, mouthy voice.

The tattoo shop was in Rose Street, next door to a working man’s pub. It was a pretty seedy single room, with a space off the back separated by a vomit-green curtain with shredded hems. It smelled of ink and old blood. There were brittle and faded sketches and photographs pinned around the walls, of designs and tattooed arms and backs. The tattoo artist himself had tattoos on both forearms. A broken heart with an arrow through it, an anchor, Popeye. A girl’s name, Angie, in fancy curlicued lettering.

He had a mean, underfed face, with fusewire sideburns. The last shreds of head hair were scraped back from a receded hairline across a shiny, almost bald, pate, to a luxuriant gathering of Brylcreemed curls around his neck. I noticed the dirt beneath his fingernails, and worried that Peter would catch some horrible infection. But perhaps it was just ink.

I don’t know how much regulation there was in those days, or if it was even legal to tattoo a boy of Peter’s age, but the Rose Street tattoo artist didn’t care much about it if there was. He was taken aback when we said we wanted a tattoo of Elvis Presley. He’d never done one before, he said, and I think he saw it as a sort of challenge. He gave us a price: £2, which was a fortune in those days. I think he thought there was no way we could afford it, but if he was surprised when we turned up with the money nearly six weeks later he never showed it. He had prepared a sketch, from a photograph in a magazine, and worked the lettering below it, Heartbreak Hotel, into something like a banner blowing in the breeze.