Chapters (28)
- Cover
- Half Title Page
- Also By
- Title Page
- Copyright
- Dedication
- Acknowledgments
- Epigraph
- ONE: The Conclave
- TWO: Blood Nocturne
- THREE: Hunter of Hunters
- FOUR: The Castle of the White Queen
- FIVE: The Skylights of Paris
- SIX: Martin Soule
- SEVEN: Deathtrap
- EIGHT: Flicker of Fire
- NINE: Lady of the Knife
- TEN: The Traveler
- ELEVEN: Queen of the Night
- TWELVE: Sourball Express
- THIRTEEN: All Through the Night
- FOURTEEN: The Veils
- FIFTEEN: Scorpion Dance
- SIXTEEN: Demon Lovers
- SEVENTEEN: Blood Child
- EIGHTEEN: Careless Love
- NINETEEN: Trapped
- TWENTY: The Love Child
What she found instead was a door. It was steel and set high up in the wall, at the top of a series of iron rungs. The door was half the normal height and had a lever rather than a handle. She climbed the rungs, pulled the lever, which dropped down with a thud. She drew the door open and found herself looking into a dark room full of humming machinery.
She climbed into the room. In contrast with the wet cold that had surrounded her for hours, it was warm and dry. It felt fiercely hot, although she knew that this was only the effect of the sudden change.
Her nostrils had been seared, but her sense of smell seemed unimpaired. She smelled machine oil, the fumes of burning, and the scent of lots of electricity. This was a furnace room. She knew boilers and furnaces well. She had special uses for them. This one reminded her of the Ehler that she had in her house, a good, hot system with an ample firebox.
Beyond the furnace, she saw stairs. She mounted them, stopping at the top to listen and catch her breath. She laid her ear against the door that was there. On the other side, she heard the tap of footsteps. They moved slowly about, tip-tap, tip-tap, pausing here and there, then moving on. Suddenly a voice began to speak, using English. It spoke about the manufacture of tapestries.
This work had been going on when she was last here. Across the street from her mother’s house there had been a manufactory of tapestry. So it was still in operation, but there were also observers now, people from the English-speaking world being taken on tours of the works.
She turned the handle of the door. Locked. This was of little consequence. They had not learned the art of the lock, the humans. Shaking it a few times, she dislodged the tumblers. She knew exactly what she sought: a female creature of about her own size, preferably alone.
The tour group consisted of about twenty people being led about among the tapestries, which hung on large looms. She stepped out onto the gloomy area before the door, then slipped behind the nearest loom. On the other side, the weaver worked, stepping on her treadle and sliding thread through her beater.
Beneath the smock, the girl wore dark clothing of some sort; Miriam could not see exactly what it was. The casual dress of the modern age. She peered at the creature. It was intent on its work. She listened to the talk of the guide. The tourists drifted closer. In another moment, they would see this person, observe her working at her loom.