Back The Last Vampire
Chapters (28)
  1. Cover
  2. Half Title Page
  3. Also By
  4. Title Page
  5. Copyright
  6. Dedication
  7. Acknowledgments
  8. Epigraph
  9. ONE: The Conclave
  10. TWO: Blood Nocturne
  11. THREE: Hunter of Hunters
  12. FOUR: The Castle of the White Queen
  13. FIVE: The Skylights of Paris
  14. SIX: Martin Soule
  15. SEVEN: Deathtrap
  16. EIGHT: Flicker of Fire
  17. NINE: Lady of the Knife
  18. TEN: The Traveler
  19. ELEVEN: Queen of the Night
  20. TWELVE: Sourball Express
  21. THIRTEEN: All Through the Night
  22. FOURTEEN: The Veils
  23. FIFTEEN: Scorpion Dance
  24. SIXTEEN: Demon Lovers
  25. SEVENTEEN: Blood Child
  26. EIGHTEEN: Careless Love
  27. NINETEEN: Trapped
  28. TWENTY: The Love Child

She went down the steps into the clanging world of the Métro. She remembered it from her last visit, but she’d only used it once, and that was to get around a traffic accident when she’d been hurrying to the opera. There was difficulty with the change booth, then confusion about which direction she wanted. The hurrying crowds made it no easier. But, in the end, she found herself primly seated in a car going in the correct direction.

The Castle of the White Queen had been built on land that the Keepers had reserved for themselves from time immemorial. It was on the Rue des Gobelins, and parts of it had been rented to the Gobelins family and fitted out by them as a tannery. At night, after Gobelins and his people went home; the hides tanned there were not necessarily bovine. The Keepers lived in the upper reaches of the building.

Locally, there were many legends about why it was called the Castle of the White Queen. Some said that Blanche de Castille had built it, others that it had belonged to Blanche de Navarre. The real builder was Miriam’s dear mother, who had been known among her peers as the White Queen, for her grandeur, her splendid pallor, and the fact that their family had come out of the white sands of the North African desert.

The scent of man that filled the Métro did not make Miriam’s jaws spread, let alone fill. As troubling as all this was, at least she was full, and very satisfactorily so. That had been a healthy little thing she’d eaten. She could easily bear this swim in a sea of food.

An accordionist began to play, and Miriam closed her eyes to listen. Certain things about Paris were almost timeless, it seemed. When she and her mother had been here, the humans had been making similar music, but with different instruments. The music was rougher and wilder then, but they were wilder also, the humans, in times past.

In those days, feeding in a place like Paris had been so easy that some Keepers had overfed, gorging until they bled out through their pores, and their orifices ran with the blood of their victims. The human population had been a seething, helpless, ignorant mass, living in the streets, under the bridges, anywhere there was a bit of shelter. The old cities had been full of nameless, aimless wanderers who could be plucked up like fruits fallen to the ground.

She missed Gobelins and left the Métro at d’Italie instead. Coming up to the street, she looked around her. She experienced a sense of satisfaction: things were really unchanged here.

She quickened her step, eager to get a sight of the castle. If the Keepers had been driven off—well, she’d deal with that problem when she had to.