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Chapters (116)
  1. Cover
  2. The Last Tudor
  3. Family Trees
  4. BOOK I
  5. BRADGATE HOUSE, GROBY, LEICESTERSHIRE,
  6. SUFFOLK PLACE, LONDON,
  7. GREENWICH PALACE,
  8. GREENWICH PALACE,
  9. DURHAM HOUSE, LONDON,
  10. SUFFOLK PLACE, LONDON,
  11. THE OLD MANOR, CHELSEA,
  12. SYON HOUSE, ISLEWORTH,
  13. THE TOWER, LONDON,
  14. THE TOWER, LONDON,
  15. THE TOWER, LONDON,
  16. THE TOWER, LONDON,
  17. THE TOWER, LONDON,
  18. THE TOWER, LONDON,
  19. THE TOWER, LONDON,
  20. THE TOWER, LONDON,
  21. THE TOWER, LONDON,
  22. THE TOWER, LONDON,
  23. BOOK II
  24. BAYNARD’S CASTLE, LONDON,
  25. BEAUMANOR, LEICESTERSHIRE,
  26. BEAUMANOR, LEICESTERSHIRE,
  27. HAMPTON COURT PALACE,
  28. OATLANDS PALACE, SURREY,
  29. WHITEHALL PALACE, LONDON,
  30. HANWORTH PALACE, MIDDLESEX,
  31. GREENWICH PALACE,
  32. NONSUCH PALACE, SURREY,
  33. HAMPTON COURT PALACE,
  34. HAMPTON COURT PALACE,
  35. CHARTERHOUSE, SHEEN,
  36. WINDSOR CASTLE,
  37. WHITEHALL PALACE, LONDON,
  38. CHARTERHOUSE, SHEEN,
  39. WHITEHALL PALACE, LONDON,
  40. GREENWICH PALACE,
  41. WINDSOR CASTLE,
  42. WINDSOR CASTLE,
  43. WHITEHALL PALACE, LONDON,
  44. WHITEHALL PALACE, LONDON,
  45. CANNON ROW, LONDON,
  46. WHITEHALL PALACE, LONDON,
  47. WHITEHALL PALACE, LONDON,
  48. WHITEHALL PALACE, LONDON,
  49. GREENWICH PALACE,
  50. ON PROGRESS: THE ROAD TO WANSTEAD,
  51. PIRGO PALACE, ESSEX,
  52. MR. MORE’S HOUSE, HIGH STREET, IPSWICH,
  53. WHITEHALL PALACE, LONDON,
  54. THE LIEUTENANT’S HOUSE, THE TOWER, LONDON,
  55. THE TOWER, LONDON,
  56. THE TOWER, LONDON,
  57. THE TOWER, LONDON,
  58. LAMBETH PALACE, LONDON,
  59. THE TOWER, LONDON,
  60. THE TOWER, LONDON,
  61. THE TOWER, LONDON,
  62. THE TOWER, LONDON,
  63. THE TOWER, LONDON,
  64. THE TOWER, LONDON,
  65. THE TOWER, LONDON,
  66. THE TOWER, LONDON,
  67. THE TOWER, LONDON,
  68. THE TOWER, LONDON,
  69. THE TOWER, LONDON,
  70. THE TOWER, LONDON,
  71. PIRGO PALACE, ESSEX,
  72. BOOK III
  73. WINDSOR CASTLE,
  74. WINDSOR CASTLE,
  75. WINDSOR CASTLE,
  76. GREENWICH PALACE,
  77. WHITEHALL PALACE, LONDON,
  78. WHITEHALL PALACE, LONDON,
  79. WHITEHALL PALACE, LONDON,
  80. WHITEHALL PALACE, LONDON,
  81. WHITEHALL PALACE, LONDON,
  82. WHITEHALL PALACE, LONDON,
  83. WHITEHALL PALACE, LONDON,
  84. WINDSOR CASTLE,
  85. CHEQUERS, BUCKINGHAMSHIRE,
  86. CHEQUERS, BUCKINGHAMSHIRE,
  87. CHEQUERS, BUCKINGHAMSHIRE,
  88. CHEQUERS, BUCKINGHAMSHIRE,
  89. CHEQUERS, BUCKINGHAMSHIRE,
  90. CHEQUERS, BUCKINGHAMSHIRE,
  91. CHEQUERS, BUCKINGHAMSHIRE,
  92. CHEQUERS, BUCKINGHAMSHIRE,
  93. CHEQUERS, BUCKINGHAMSHIRE,
  94. CHEQUERS, BUCKINGHAMSHIRE,
  95. CHEQUERS, BUCKINGHAMSHIRE,
  96. CHEQUERS TO LONDON,
  97. THE MINORIES, LONDON,
  98. GREENWICH PALACE,
  99. GREENWICH PALACE,
  100. GREENWICH PALACE,
  101. THE MINORIES, LONDON,
  102. GRIMSTHORPE CASTLE, LINCOLNSHIRE,
  103. GRIMSTHORPE CASTLE, LINCOLNSHIRE,
  104. GRIMSTHORPE CASTLE, LINCOLNSHIRE,
  105. GRIMSTHORPE CASTLE, LINCOLNSHIRE,
  106. GRESHAM HOUSE, BISHOPSGATE, LONDON,
  107. GRESHAM HOUSE, BISHOPSGATE, LONDON,
  108. GRESHAM HOUSE, BISHOPSGATE, LONDON,
  109. GRESHAM HOUSE, BISHOPSGATE, LONDON,
  110. GRESHAM HOUSE, BISHOPSGATE, LONDON,
  111. GRESHAM HOUSE, BISHOPSGATE, LONDON,
  112. GRESHAM HOUSE, BISHOPSGATE, LONDON,
  113. OSTERLEY PARK, MIDDLESEX,
  114. ST. BOTOLPH’S-WITHOUT-ALDGATE, LONDON,
  115. AUTHOR’S NOTE
  116. BIBLIOGRAPHY

Finally, the queen makes her choice of sleeves and it is the turn of another lady to open the jewel boxes so that she can select her necklaces, her chains, her earrings, and her brooches. Only when everything is laid out and compared one with another, only when we all agree that she will be the richest, the best-dressed, the most beautiful woman present, do we start to prepare her for dressing.

Her thinning hair is carefully brushed and tied up on the top of her head in a scrawny bun. Mary Ratcliffe, the maid of honor with the steadiest hand, comes forward with a pot of fresh-mixed ceruse, and Elizabeth sits still, closes her eyes, as Mary paints the white lead and vinegar from her plucked forehead to her nipples in painstaking gentle strokes. It is a long process. The queen’s neck, back, and shoulders have to be painted too; the gown she has chosen is low cut, and there can be no ugly smallpox scars showing through the glowing white.

When the queen’s cheeks are dry, Thomasina stands up on a stool and dusts rouge on the hollow cheeks, and paints carmine on the narrow lips. My aunt Bess comes forward with a brown crayon and draws in two arched eyebrows.

“Lord! What I do for beauty!” the queen exclaims, and we all laugh with her, as if this were amusing and reasonable, and not an absurd daily chore for us.

With immense care, Bess St. Loe pulls the great red wig over Elizabeth’s graying hair, as Elizabeth holds it at the front of her head, and then looks into her mirror to approve the effect.

She throws off her dressing gown and sits on her chair, naked but for her richly embroidered smock, one foot extended for her silk stockings.

Dorothy Stafford bends and carefully rolls them up to Elizabeth’s knees and ties the garter.

“Do you know what fortune Margaret Cave will bring the family?” Elizabeth asks her.

“Lady Catherine told me that she is to inherit all her father’s land at Kingsbury, Warwickshire,” Dorothy replies.

Elizabeth makes a little grimace as if she thinks what she would have done, if she had been an heiress like that, instead of a bastard set aside for the true heir. Behind the painted smile, her face is sour.

The queen stands as her ladies press the bodice to her belly, and then go behind her and start to thread the laces through the holes, pulling them tightly. The queen grips on the post of the bed to brace against them. “Tighter,” she says. “None of you pull as well as Kat.”