I walk up to the bar, taking in the shelves behind it. They’re filled with dark liquors, boozy bitters—and there is one shelf devoted to framed photographs in thick, silver frames, a few framed newspaper clippings. Kate Smith appears in several, often with the same lanky, dark-haired guy. Not Owen. Someone besides Owen. There are several photographs of the dark-haired guy alone as well. I lean over the bar to try and make out what one of the newspaper clippings says. It includes a photograph of Kate dressed in a gown, the lanky guy dressed in a tuxedo. An older couple bookends him. I start to read through the names beneath the photograph. Meredith Smith, Kate Smith. Charlie Smith…

Then I hear footsteps. “Hey, there.”

I turn around to see Charlie Smith. The lanky guy from the photographs. He’s wearing a crisp button-down shirt and holding a case of champagne. He looks older than in the fancy framed photographs. Less lanky. His dark hair is now graying, his skin weathered, but it’s definitely him. Whoever he is to Bailey. Whoever Bailey is to Kate.

“We’re not open just yet,” he says. “We don’t usually start serving until closer to six…”

I point back from the direction I came. “I’m sorry about that, the door was unlocked,” I say. “I didn’t mean to just let myself in.”

“Not a problem, you can have a seat at the bar and take a look at the cocktail menu,” he says. “I just have a couple more things to take care of.”

“Sounds great,” I say.

He puts the champagne on the bar and offers a kind smile. I force a smile back. It isn’t easy being around this stranger who has the same coloring as Bailey—and his smile, when he points it at me, is hers too, complete with her same uptick, the same dimple shining through.

I hop up onto a stool as he moves behind the bar and starts unpacking the champagne.

“Can I ask you a quick question? I’m new to Austin and I think I got a bit turned around. I’m looking for the campus. Can I walk from here?”

“Sure, if you have forty-five minutes or so. Probably easier to just hop in an Uber if you’re in any kind of rush,” he says. “Where are you headed to exactly?”

I think of his bio, of what I just pulled up about him. “The School of Architecture,” I say.

“Really?” he says.

I’m not a good actress, so trying to look casual while telling this lie is a stretch. It pays off though. He’s interested suddenly, just like I hoped he would be. Charlie Smith: late thirties, almost architect, married to Andrea Reyes. Married to Andrea at a wedding Bailey and Owen attended.

“I took some classes at the School of Architecture, once upon a time,” he says.