Back The Last Stage Save as PDF
Chapters (63)
  1. Cover
  2. Praise
  3. The Last Stage
  4. Dedication
  5. Contents
  6. 1995
  7. 2017Meredith
  8. One Year LaterMeredith
  9. Graeme
  10. Meredith
  11. Meredith
  12. Graeme
  13. Pete
  14. Meredith
  15. Meredith
  16. Meredith
  17. Meredith
  18. Meredith
  19. Meredith
  20. 1983Meredith
  21. Present DayEmad
  22. Present DayEmad
  23. 1983Meredith
  24. 1983Meredith
  25. Present DayMeredith
  26. Meredith
  27. Meredith
  28. Pete
  29. Pete
  30. Pete
  31. Gemma
  32. 1983Meredith
  33. 1983Meredith
  34. 1983Meredith
  35. Present DayMeredith
  36. 1984Meredith
  37. 1984Meredith
  38. 1984Meredith
  39. 1984Meredith
  40. Present DayGemma
  41. 1992Meredith
  42. Present DayGemma
  43. 1995Meredith
  44. Present DayGemma
  45. 1995Meredith
  46. Present DayGemma
  47. 1995Meredith
  48. Present DayGemma
  49. Pete
  50. Meredith
  51. Pete
  52. Graeme
  53. Emad
  54. Meredith
  55. Meredith
  56. Meredith
  57. Gemma
  58. Meredith
  59. Gemma and Emad
  60. A year laterMeredith
  61. Acknowledgements
  62. ABOUT THE AUTHOR
  63. Copyright

An owl hooted softly above them, making Gemma jump. For the first time, she felt the deep twitchy pull of fear, as if it was something physical inside her body, running around inside the nerve endings. She recalled the photos on the whiteboard of Ralph Allerton’s bloated corpse, and then what Emad had reported the mental nurse saying – the one who’d shown him Catherine Brown’s room with its Blu Tack pockmarks on the wall: how the staff thought it was funny that the woman had so many photos of a band she hated.

A woman so violent that she’d been considered a serious risk to herself and others for the best part of thirty years, with a rap sheet of violence as long as her arm. Not someone you’d want to have hating you.

‘Not gonna lie, Emad,’ Gemma admitted softly. ‘I’m a bit scared.’

There was a pause, then Emad replied, ‘Me too.’

‘She’s a nutter, this Brown woman, isn’t she? Sounds like she might’ve been responsible for the attack on Meredith last time, if she’s got someone on the outside helping her.’ Gemma felt a huge pang of worry for both Meredith and Pete. If it really was Brown, going to the trouble of escaping, presumably for the sole reason of having another pop at Meredith, they could be in serious trouble.

‘Sounds like,’ agreed Emad. ‘But all this might not be anything to do with her.’

‘Really glad you’re here.’

‘Me too.’

They walked fast in silence for a couple of minutes, the only sound their panting breaths, until the lawns ended abruptly at a wooden fence. There was a gate set into it a little way along.

‘Through here, I think. Shit, look.’ She pointed the phone at the gate, where a padlock had been sawn open and was swinging by its hasp. ‘This isn’t looking good…’

They broke into a run, down a narrow gravel path twisting through more trees, until suddenly they arrived at a small, detached single-storey mock-Tudor building.

‘Round here,’ Emad whispered, and they tiptoed towards the entrance, trying to silence their laboured breathing.

Gemma could feel her heart banging so hard in her ribcage from both exertion and fear that she thought it would be audible for miles around. The heavy Victorian iron door, set with stained-glass panels, was ajar, but all seemed dark and silent inside.

They crept in.

‘It’s an old swimming pool,’ Emad said in wonder. ‘Wow. No idea this was here. Why is it so far from the house?’

Gemma didn’t answer. She shone her torch around. ‘Hello? Meredith? Are you there? Are you hurt?’

No reply, just a faint scuffling from somewhere around the edge that made them both jump again.

‘Mice,’ whispered Emad.

‘Or rats,’ said Gemma darkly. ‘I hate rats.’