Back The Last Stage
Chapters (63)
  1. Cover
  2. Praise
  3. The Last Stage
  4. Dedication
  5. Contents
  6. 1995
  7. 2017Meredith
  8. One Year LaterMeredith
  9. Graeme
  10. Meredith
  11. Meredith
  12. Graeme
  13. Pete
  14. Meredith
  15. Meredith
  16. Meredith
  17. Meredith
  18. Meredith
  19. Meredith
  20. 1983Meredith
  21. Present DayEmad
  22. Present DayEmad
  23. 1983Meredith
  24. 1983Meredith
  25. Present DayMeredith
  26. Meredith
  27. Meredith
  28. Pete
  29. Pete
  30. Pete
  31. Gemma
  32. 1983Meredith
  33. 1983Meredith
  34. 1983Meredith
  35. Present DayMeredith
  36. 1984Meredith
  37. 1984Meredith
  38. 1984Meredith
  39. 1984Meredith
  40. Present DayGemma
  41. 1992Meredith
  42. Present DayGemma
  43. 1995Meredith
  44. Present DayGemma
  45. 1995Meredith
  46. Present DayGemma
  47. 1995Meredith
  48. Present DayGemma
  49. Pete
  50. Meredith
  51. Pete
  52. Graeme
  53. Emad
  54. Meredith
  55. Meredith
  56. Meredith
  57. Gemma
  58. Meredith
  59. Gemma and Emad
  60. A year laterMeredith
  61. Acknowledgements
  62. ABOUT THE AUTHOR
  63. Copyright

All I had at the time in the way of personal protection was a lock on the bedroom door and a rubber wedge to jam underneath it – token gestures that I’d naïvely thought would give me enough time at least to ring the police, should the worst happen.

It had been an unremarkable evening and I’d been feeling chilled – until Iain phoned, anyway. I remembered wandering the hallways of my magnolia-painted house, holding up swatches of every grey in existence – dove, soft, dark, pewter – wondering what combination of them to paint the walls in. I could’ve employed the services of an interior designer, but I didn’t want to take the risk that word would get out. I was loving my solitude and seclusion. My own place. I’d come a long way since the squat.

Everything had been going so well. Cohen was at number three in the UK charts, having just slipped down from number one, where we’d been for the preceding month or so. Unless I went out with a wig and dark glasses on, I was pestered for autographs wherever I went, mostly by students and hippies. So my home was my haven; I was sure I’d managed to keep my new address hidden from the world. Even at the record label, nobody knew it – apart from the accountant who sent out my royalty statements, and, at my behest, she posted them with a fake management company name on the envelope so that nobody knew they were going to me. The band didn’t have a manager – we’d never needed one. We were a collective, not a product.

Another, less credible, reason I didn’t want anybody, specifically the press, to know where I lived was that Cohen’s ethos was firmly anti-capitalist. I dreaded to think about the field day they’d have had when they discovered I’d recently purchased a sizeable Georgian ‘mansion’. I’d struggled with the decision, but ultimately decided that I would leave it to charity in my will, if I never managed to have any children. I was still embarrassed by it, though; until that point, my terror of word getting out about the house was probably on a par with my terror at the thought of an intruder getting into it.

Despite the capitalist guilt, I loved my new home. At that point I felt much safer mid-terrace than I would have done in an isolated house in a remote village somewhere; and, once I had moved in, it went a long way to providing me with the security I lacked in any other area of my life.