Back The Last Stage Save as PDF
Chapters (63)
  1. Cover
  2. Praise
  3. The Last Stage
  4. Dedication
  5. Contents
  6. 1995
  7. 2017Meredith
  8. One Year LaterMeredith
  9. Graeme
  10. Meredith
  11. Meredith
  12. Graeme
  13. Pete
  14. Meredith
  15. Meredith
  16. Meredith
  17. Meredith
  18. Meredith
  19. Meredith
  20. 1983Meredith
  21. Present DayEmad
  22. Present DayEmad
  23. 1983Meredith
  24. 1983Meredith
  25. Present DayMeredith
  26. Meredith
  27. Meredith
  28. Pete
  29. Pete
  30. Pete
  31. Gemma
  32. 1983Meredith
  33. 1983Meredith
  34. 1983Meredith
  35. Present DayMeredith
  36. 1984Meredith
  37. 1984Meredith
  38. 1984Meredith
  39. 1984Meredith
  40. Present DayGemma
  41. 1992Meredith
  42. Present DayGemma
  43. 1995Meredith
  44. Present DayGemma
  45. 1995Meredith
  46. Present DayGemma
  47. 1995Meredith
  48. Present DayGemma
  49. Pete
  50. Meredith
  51. Pete
  52. Graeme
  53. Emad
  54. Meredith
  55. Meredith
  56. Meredith
  57. Gemma
  58. Meredith
  59. Gemma and Emad
  60. A year laterMeredith
  61. Acknowledgements
  62. ABOUT THE AUTHOR
  63. Copyright

Some songs just flowed out of me on a river of emotion, and that was one of them. It wasn’t a sad song, but it resonated deeply; a tale of privilege versus hardship and poverty; a postcode lottery in which plenty was given to the few but denied to the many. You could have heard a pin drop in the room as I howled out the chorus. Even the too-cool-for-school celebs and supermodels were transfixed. When we finished, there was a second’s silence, then a roar of approval, far more genuine than the applause at the start.

I felt a moment of pure happiness – followed instantly by a stab of grief so deep I wanted to double over.

I wanted Pete to be there, clapping. I wanted Mum to be wiping away a tear of pride, just like Mrs Marsh over there. I wanted Dad to be nodding slowly and appreciatively. I wanted someone to give me a huge hug, in the way that Spike’s girlfriend was embracing him.

So it was with a mixture of delight and a dragging sense of loss in my belly that I left the venue a couple of hours later, walking with the boys through the studio doors and along a short pathway to the pavement, where the uniformed drivers of several executive cars waited to whisk us home.

That was when it happened, as we were all milling around, ignoring the paparazzi gathered outside the gates.

Later, I remembered it was a balmy evening – the sort of June night England does so well, when the air was warm yet still fresh and redolent with the scent of petrol, fast food and cut grass.

I’d just been chatting to Webbo, discussing when we’d next meet and what a great night it had been, when a huge and sudden howl of rage made us both swing around, jerking our heads with shock. The security guard at the studio doors started to bolt down the path, but he wasn’t quick enough: a bulky person in a clown mask leaped out, literally from the bushes he’d been hiding in a few feet away, we realised later, and threw something. At me.

I saw a flash of lime green and put my arm up over my eyes, just in time as it transpired, before I was completely drenched with paint flung from a five-litre can. The assailant’s aim was deadly accurate; there was barely a square inch of me that he hadn’t coated. Thankfully I had managed to protect my eyes, but it was in my open mouth, my nostrils and ears, deafening and humiliating me. Bright green, stinking, dripping off me, splattering everyone in a seven-foot radius.